"I'm the first to admit that my project can sound outré or precious. … When it came to Bach, I was unhappy about the piano's awkwardness with hand crossings, the harpsichord's lack of dynamic vitality and the tootiness of organ pipes. … I kept struggling with what my ideal 'Goldbergs' might sound like. I wanted […]
SOURCE: ArtsJournal at 02:54PM on August 18, 2020