Christopher Chen's intriguing memory play The Headlands works on so many levels that it's hard for me to keep track of all of them. It starts out as a crime procedural centered around an investigation into a long ago murder in San Francisco's Chinese community. Then it cloaks itself in the film-noirish moodiness of illicit love and shady financial dealings. And ultimately it becomes a meditation on assimilation, id…
SOURCE: Broadway & Me at 12:12PM on August 1, 2020