What he and Jeanne-Claude, his wife and collaborator, achieved was so different from the work of anyone else, and on such a huge scale"seventy-five hundred saffron-colored nylon "gates," in Central Park; the Reichstag, in Berlin, and the Pont Neuf, in Paris, transformed by their cloth wrappings into monumental and sensuous sculptures"that it's hard to believe […]
SOURCE: ArtsJournal at 04:42PM on June 2, 2020