Of all the unexpected things I think I might be able to imagine, one I could never have imagined for a minute was Alexander Zeldovich's production of Sarah Kane's 4.48 Psychosis at the Stanislavsky Electrotheatre in Moscow in 2016. Whether I was right or wrong (it turns out I was wrong), Kane and 4.48 Psychosis […] The full version of the article Sarah Kane Through a Russian Prism is available on The Theatre Times.
SOURCE: thetheatretimes.com at 04:39PM on April 8, 2020