Some composers deal with the threat of boredom by cramming their scores full of drama and extreme sounds. Others embrace it, stretching time and indulging in trancelike repetition. Shaw describes her approach as the avoidance of both extremes. "I know what I don't like," she says: "plain harmonies that don't ever change. What makes me […]
SOURCE: ArtsJournal at 11:36PM on February 4, 2020