"Though her work has evolved beyond the minimalist choreography that first garnered her critical notice in the 1980s, [Anne Teresa] De Keersmaeker remains a formalist. Throughout this production, she makes ingenious use of traveling wedge formations, each gang shaped loosely into a triangle with their leader at the point, as they circle, stalk, intimidate, and […]
SOURCE: ArtsJournal at 12:48PM on February 4, 2020