Despite his success with revisionist productions of Tennessee Williams and Arthur Miller plays, Ivo van Hove seemed an unlikely choice to direct a major revival of the Bernstein-Laurents-Sondheim musical. Even less likely was the selection of austere formalist Anne Teresa de Keersmaeker to choreograph the first production whose dance wasn't based on Jerome Robbins's exuberant […]
SOURCE: ArtsJournal at 12:03PM on January 23, 2020