Naturalism is both the best thing about British theatre, being democratic and comprehensible by all, and the worst, being boringly unimaginative and frankly banal. The hegemony of this aesthetic approach does mean, however, that plays that challenge its worldview tend to have a refreshingly welcome feel. And this is certainly true of Ian Kershaw's beguiling […] The full version of the article Ian Kershaw's "The Gre…
SOURCE: thetheatretimes.com at 01:26AM on December 1, 2019