"In his sly installations and sculptural work, Huang often melded techniques derived from the history of Chinese art and international avant-garde movements alike. His ability to deftly combine seemingly opposed methods of art-making made him one of the foremost artists in an emergent group of Chinese artists during the late 1980s … [and] allowed him […]
SOURCE: ArtsJournal at 04:03PM on October 22, 2019