Mind you, this isn't a question of mime or dance. Chris Jones considers the implications of The King's Speech, in which Britain's King George VI learns to use his voice properly, and Lucas Hnath's recent play Dana H, in which the star (brilliantly) lip-synchs to a recording of the playwright's own mother recounting a horrific […]
SOURCE: ArtsJournal at 01:33PM on October 1, 2019