Theresa Rebeck's comedy of sexual politics tests the limits of women in power. Back in 2007, New Yorker theater critic John Lahr dismissed Theresa Rebeck's play Mauritius, about a woman getting involved with petty thieves, as "Mamet for girls." I remembered that while watching Rebeck's 2018 Broadway comedy, Bernhardt/Hamlet, now in its local premiere under Donna Feore's direction at the G…
SOURCE: www.chicagoreader.com at 07:00AM on September 25, 2019