(Ben Brantley's article appeared in The New York Times, 9/5.) How can a naked space seem so full? Feelings furnish the stage in the resplendently spare new production of Harold Pinter's "Betrayal,"Â which opened on Thursday night at the Bernard Jacobs Theater, and they shimmer, bend and change color like light streaming through a prism. Directed […]
SOURCE: stagevoices.com at 02:37PM on September 6, 2019