For a show about hell, "Hadestown" doesn't have much heat. Yes, composer Anaïs Mitchell's musical retelling of the Orpheus and Eurydice myth, which opened Wednesday on Broadway, sounds pleasant and looks more expensive than it did in 2016 at New York Theatre Workshop. But this classic tale of love " he looks back, she gets...
SOURCE: The New York Post at 09:00PM on April 17, 2019