CASTE ASIDE Todd Solondz, one of the most profound filmmakers working today (Happiness, Welcome to the Dollhouse), begins his first play Emma and Max — which he also directs — with a scene right out of a Todd Solondz movie: An affluent white couple, Brooke and Jay, sit uncomfortable and tense in their living room opposite […]
SOURCE: Stage and Cinema at 09:06PM on October 17, 2018