POLITICAL IS PERSONAL IN HELLMAN'S COMPELLING DRAMA: REVIEW
Lillian Hellman's second play, Days To Come, was a flop when it premiered on Broadway in 1936. Sources differ on why — but it certainly wasn't the writing. The well-acted production that opened Sunday, smoothly directed by J.R. Sullivan for the Mint Theater Company, at the Beckett Theatre at Theater Row, proves a fascinating family […]