Church basements have a long and surprisingly illustrious history in the evolution of modern dance, particularly in the mid-20th-century when they were creative strongholds for iconoclastic choreographers. But at the turn of the 20th century, when modern dance was in its infancy, the salons, gardens, and living rooms of wealthy arts patrons provided venues for […] The post 2018 Capital Fringe Review: ‘Isa…
SOURCE: DC Metro Theater Arts at 10:49AM on July 13, 2018