Few operas require the soprano to sing in between bites of baked goods. Contemporary opera often goes one of two ways: avant-garde and over our heads, or separate from the grand and often inaccessible genre of opera. She, After, Daniel Felsenfeld's exploration of women in metaphorical cages, doesn't reject its genre entirely, but it also […]The post She, After appeared first on DC Theatre Scene.
SOURCE: DC Theatre Scene at 10:14AM on November 12, 2013