Upstairs at the Gatehouse, London: Criticising any artistic endeavour that commemorates a tragedy can be a thankless task. Only two weeks ago, one columnist was lambasted for calling Julian Fellowes' Titanic a cash cow, capitalising on the vogue for period drama the writer's recent successes created. Or, in her words, Drownton Abbey. Read the full review
SOURCE: The Stage at 06:54AM on March 28, 2012