For BLOODY BLOODY ANDREW JACKSON, Michael Friedman whipped up an emo rock score that comically skewered white male privilege. For LOVE'S LABOUR'S LOST his music and lyrics embraced the open-hearted awkwardness of lovers testing the waters of adulthood, and in THE FORTRESS OF SOLITUDE, they nostalgically provided a tapestry of pop harmonies, soul and rap. And then there was the abundance of fresh material created for …
SOURCE: BroadwayWorld at 11:38AM on March 10, 2020