At the center of the large wooden barn is a makeshift altar, wrapped in gauze and adorned in flowers, candles, and partially constructed mannequins. A voice fills the broad, earthy space, washing over the many silver-haired heads of the audience. The voice tells of a mother instructing her children that they could, "be any color […] The full version of the article Ritualizing Identities: "SUGA" by Travis Coe at Dou…
SOURCE: thetheatretimes.com at 02:59AM on December 11, 2019