Thursday, September 8, 2022

An Inscrutable Monarch, Endlessly Scrutinized Onstage and Onscreen by Sarah Lyall

Queen Elizabeth II was portrayed in plays and highbrow films, in made-for-TV movies and broad comedies and, of course, in “The Crown.” Many sought to answer the question: What was she li…

SOURCE: The New York Times Subscription at 02:19PM
Tuesday, November 16, 2021

Jeanna de Waal Has Already Forgotten About That ‘Diana’ Film by Sarah Lyall

The Netflix version of Broadway’s “Diana, the Musical” landed with a thud. But it got people talking. Now the show’s lead actress is staying positive ahead of opening night.

SOURCE: The New York Times Subscription at 05:36AM
Wednesday, February 3, 2021

Scenes From a Marriage, Patinkin-Style by Sarah Lyall

Mandy Patinkin and Kathryn Grody’s charming, irreverent pandemic-era posts led to unlikely social media stardom. Will the vaccine end their run?

SOURCE: The New York Times Subscription at 10:48AM
Tuesday, December 24, 2019

Her Name is Lucy Barton. Their Job Is Ushering Her to the Stage. by Sarah Lyall

Elizabeth Strout created the character. Rona Munro put her at the center of a play. And Laura Linney has brought her to life in a solo Broadway show.

SOURCE: The New York Times Subscription at 05:33AM
Thursday, January 31, 2019

Another Go for Charles and Di, This Time With Music by Sarah Lyall

The creators of “Memphis,” including a longtime member of Bon Jovi, are behind the new show that explores the fallout from a seemingly fairy-tale marriage.

SOURCE: The New York Times Subscription at 02:48AM
Friday, January 4, 2019

The Choreographed Cacophony of ‘Ferryman’ by Sarah Lyall

With a cast of 21, plus a live goose and rabbit, the dizzying number of comings and goings in this Broadway show requires an incredible attention to detail.

SOURCE: The New York Times Subscription at 05:54AM
Wednesday, November 30, 2016

How Blue Turned to Green: Blue Man Group at 25 Years by Sarah Lyall

This bald and earless troupe, which has become an institution in Manhattan and elsewhere, celebrates its silver anniversary.

SOURCE: The New York Times Subscription at 04:18PM
Tuesday, June 7, 2016

‘Harry Potter and the Cursed Child’ Begins Previews in London by Sarah Lyall

J.K. Rowling’s play picks up at the end of “Harry Potter and the Deathly Hallows,” fast forwards and then shoots off into unexpected directions.

SOURCE: The New York Times Subscription at 08:57PM
Wednesday, June 1, 2016

J.K. Rowling Just Can’t Let Harry Potter Go by Sarah Lyall

Her juggernaut plows on, with a two-part “Potter” stage sequel and coming film spinoff. Some fans like it. Others don’t.

SOURCE: The New York Times Subscription at 06:01AM
Thursday, January 7, 2016

Starring Me! A Surreal Dive Into Immersive Theater by Sarah Lyall

A reporter’s unnerving plunge into 10 events across New York City involving all kinds of audience participation.

SOURCE: The New York Times Subscription at 06:57PM
Monday, November 9, 2015

Mike Bartlett Turns to Shakespeare to Voice His ‘King Charles III’ by Sarah Lyall

Mr. Bartlett discusses the use of language to transform his protagonists from cardboard figures of ridicule into full-blown characters of tragedy and pathos.

SOURCE: The New York Times Subscription at 06:06PM
Monday, May 25, 2015

For Kristin Chenoweth and Kelli O’Hara, a Fearsome Fairy Godmother by Sarah Lyall

Florence Birdwell, the exacting former voice teacher of two musical actresses vying for a Tony Award, was in Manhattan recently to catch their shows and teach a master class.

SOURCE: The New York Times Subscription at 04:54PM
Wednesday, May 6, 2015

Rita Wilson Talks About Cancer Surgery and Returning to Broadway by Sarah Lyall

Ms. Wilson has gone back to her role in “Fish in the Dark,” opposite Larry David, after a one-month break and a double mastectomy.

SOURCE: The New York Times Subscription at 05:54PM
Thursday, February 19, 2015

Kristin Chenoweth, as a ’30s Star, Back on Broadway by Sarah Lyall

Preparing to open in “On the Twentieth Century” on Broadway, Ms. Chenoweth reflects on transformation, beauty pageants and a role that everybody seemed to believe she was meant to play.

SOURCE: The New York Times Subscription at 10:00AM
Thursday, May 15, 2014

Branagh Brings His Visceral ‘Macbeth’ to the Armory by Sarah Lyall

Kenneth Branagh, who stars in and jointly directs a stage production of “Macbeth,” discusses its genesis on the eve of its New York opening at the Armory.

SOURCE: The New York Times Subscription at 08:00AM
Wednesday, March 19, 2014

James Franco and Chris O’Dowd on Their Rapport in ‘Of Mice and Men’ by Sarah Lyall

James Franco and Chris O’Dowd talk about preparing for their roles as George and Lennie in a Broadway revival of “Of Mice and Men.”    

SOURCE: The New York Times Subscription at 08:00AM
Thursday, February 13, 2014

In ‘Rocky,’ Andy Karl Trained Hard for the Title Role by Sarah Lyall

Like Rocky the boxer, Andy Karl the actor has trained hard for his breakout moment, his being the title role in “Rocky” on Broadway.    

SOURCE: The New York Times Subscription at 10:24AM
Thursday, February 23, 2012

Spring Performance: James Corden’s ‘One Man, Two Guvnors’ on Broadway by Sarah Lyall

James Corden brings his slapstick farce, “One Man, Two Guvnors,” a West End hit, to Broadway.

SOURCE: The New York Times Subscription at 12:57PM
Wednesday, November 23, 2011

Cillian Murphy in ‘Misterman’ at St. Ann’s Warehouse by Sarah Lyall

Cillian Murphy is Brooklyn bound as the star of a one-man play, “Misterman,” by Enda Walsh.

SOURCE: The New York Times Subscription at 05:50PM
Thursday, November 3, 2011

Paul Gross Joins Kim Cattrall in ‘Private Lives’ by Sarah Lyall

“Private Lives,” making an Atlantic crossing after a run in London, picks up a Canadian leading man, Paul Gross, on its way to Broadway.

SOURCE: The New York Times Subscription at 06:36PM
Thursday, April 21, 2011

Arts & Leisure Preview: For Derek Jacobi, Now Is the Time for a Certain Role by Sarah Lyall

Derek Jacobi climbs the mountain of “King Lear” in a production directed by Michael Grandage.

SOURCE: The New York Times Subscription at 03:47PM
Monday, April 11, 2011

Author Muses on an Unlikely Success by Sarah Lyall

Michael Morpurgo’s “War Horse,” a “huge nonevent” when it was published in 1982, has been adapted for the stage and will be a Steven Spielberg film.

SOURCE: The New York Times Subscription at 12:44PM

An Undaunted Author Muses on His Unlikely Hit by Sarah Lyall

Michael Morpurgo discusses his seemingly forgotten 1982 book, “War Horse,” that is about to open at Lincoln Center Theater and is to be a Steven Spielberg film.

SOURCE: The New York Times Subscription at 12:05PM
Friday, January 7, 2011

A Different, Happy Ending for Diana? Monica Ali Novel Imagines a Future by Sarah Lyall

The author of "Brick Lane" ponders what might have been.

SOURCE: The New York Times Subscription at 12:00PM

HOVER TO EXPAND

Authors

All that Chat

2011-2012 BROADWAY SEASON