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Saturday, April 20, 2002 ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Jason Robert Brown�s The Last 5 Years gets a fantastic Off-Broadway Cast Recording from Sh-K-Boom. posted at 4/20/2002 07:20:02 AM by Tim Dunleavy | Item Link Friday, April 19, 2002 ![]() ![]() If you like your Rodgers & Hammerstein very rare, drop in at the York Theatre this weekend. ![]() ![]() Will Henry Goodman and/or Patti LuPone be ribbed during the course of this year�s BC/EFA Easter Bonnet Competition? ![]() ![]() Rip Taylor hopes to stalk vampires, The Guthrie orders Chinese from Warren Leight, and David Esbjornson moves from Albee to Miller. [Ed. Note: After more than two years of faithful service, Charles Nelson is leaving TheaterMania to pursue other writing projects and assignments. We wish him well in his future endeavors.] As do we. He's a sharp, talented writer. ![]() ![]() ![]() ![]() We missed this article from Wednesday's Times about the life and death of playwright Leonard Melfi. It's worth catching up on. ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() posted at 4/19/2002 04:06:15 PM by Tim Dunleavy | Item Link ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() James Naughton may have reached the September of his years, as he puts it in the encore of his New York cabaret debut at the Cafe Carlyle, but he still cuts a suave and dashing figure onstage. He is one of the lucky ones. ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Surrounded by the cackling gulls and lapping waters of Lake Michigan, Redmoon Theater opens its latest mainstage production this weekend in the upstairs space at Chicago Shakespeare Theater on Navy Pier. It's an appropriate setting for "Salao--The Worst Kind of Unlucky," a work inspired by Ernest Hemingway's most enduring tale, The Old Man and the Sea. ![]() ![]() The biggest problem with the 50th anniversary production of "Guys and Dolls" at the Wilshire Theater is. Timing. ![]() ![]() "Am I overdoing it?" Onstage at the Geffen Playhouse, Carol Kane is asking herself that question as Madame Latour, an unforgettably blowzy, lustful, drunken ruin of French nobility, and you thank the gods of theater that the answer is yes. ![]() ![]() posted at 4/19/2002 09:16:47 AM by Tim Dunleavy | Item Link ![]() ![]() Being of a certain age, I can remember when people went to Broadway musicals to be entertained. This notion has long been out of fashion, but it started to make a comeback last year with that show about the swishy director playing Hitler. ![]() ![]() The most controversial new show of the Broadway season turns out not to be the big musical about the nasty nightlife columnist, or even the comedy about the man in love with the goat. No, it's "Thoroughly Modern Millie." This seemingly innocuous new tuner, about a sweet young thing trying to make it big, matrimonially speaking, in the big city, has inspired an extraordinary volume of industry tongue-wagging, with opinion ranging from rabidly pro to rabidly con and all points in between. ![]() ![]() ![]() ![]() "Thoroughly Modern Millie" is as bubbly as a glass of champagne � domestic, not imported � a bright, breezy American musical with nothing more on its mind than an evening of entertainment. ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() EXPLOSIVE tensions and lies within families are the most revealing themes of American drama, from Eugene O'Neill and Clifford Odets to August Wilson. ![]() ![]() REMEMBER that deliciously nasty lawsuit between Stephen Sondheim and producer Scott Rudin over Sondheim's new musical, "Gold!"?Though it was settled earlier this year, the suit continues to poison Sondheim's life, professionally and privately. ![]() ![]() LILLIAS White told the audience packing Feinstein's at Regency that she doubted she'd be able to remember all the lyrics to Thelonious Monk's "Well You Needn't." "It is what it is," she said evenly of the number she was steeling herself to sing. "But it's from the heart." ![]() ![]() ![]() ![]() ![]() ![]() posted at 4/19/2002 07:06:33 AM by Matthew Murray | Item Link ![]() ![]() WHEN you come out of a musical humming the same song you hummed when you went in, unless the show's a revival, it's probably in trouble. posted at 4/19/2002 12:56:15 AM by Matthew Murray | Item Link Thursday, April 18, 2002 ![]() ![]() After watching this agressively eager show, you'll leave either grinning like an idiot or with a migraine the size of Alaska. ![]() ![]() ![]() ![]() posted at 4/18/2002 11:46:44 PM by Matthew Murray | Item Link ![]() ![]() Sutton Foster breaks out in inspired 'Millie' by Linda Winer First Millie review. A little pre-mature... it opens tonight. ![]() ![]() Here is your homework: Guess how much Broadway ticket prices will go up if this becomes law. ![]() ![]() ![]() ![]() Reviewed by Ben Winters ![]() ![]() Reviewed by J. Hugh Johnson posted at 4/18/2002 04:03:53 PM by James Marino | Item Link ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() The Beast Festival (yes, that's the name) is looking for plays from five to 40 minutes in length in which the source of dramatic conflict is caused by an animal. No animal need appear on stage. Indeed, no live animals are permitted. Is this how Edward Albee got his start? ![]() ![]() posted at 4/18/2002 01:00:02 PM by Tim Dunleavy | Item Link LITTLE SHOP info update: It will now be cast in August. It will have an out of town tryout in Spring 2003. Broadway perf: July 2003. posted at 4/18/2002 12:11:50 PM by James Marino | Item Link ![]() ![]() LONDON (Reuters) - Just a day after it opened to rave reviews, the musical "Chitty Chitty Bang Bang" ground to a halt when the magical flying car was grounded. Wednesday night's show had to be canceled and the 2,000-strong audience sent home after technical hitches torpedoed the $8.6 million production. ![]() ![]() LONDON (Reuters) - First it was the British police force, now Britain's theaters are being condemned as institutionally racist in a report released Thursday which calls for radical change. ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() THAT WHOOSHING SOUND you heard last week was the air going out of the balloon of Broadway's "The Producers." That sniffling was from all the scalpers, official and unofficial, who for nearly a year could play their own little version of Max Bialystock's mantra, "If you got it, baby, flaunt it, flaunt it!," charging up to thousands of dollars for the highly prized tickets to the Mel Brooks hit. ![]() ![]() GOOD intentions are not enough. The woefully uneven revue, "September 11: The Musical Response," offers 23 songs by assorted writers dealing with the World Trade Center attack. ![]() ![]() Who's afraid of Virginia Woolf? Not director Anne Bogart. ![]() ![]() posted at 4/18/2002 10:48:12 AM by Tim Dunleavy | Item Link ![]() ![]() The titular commodity in "Talk," a new play by the young playwright Carl Hancock Rux, is in such ample supply that the title feels both apt and insufficient, both unimaginatively obvious and wryly understated. ![]() ![]() Don't believe what you hear about the emergence of a consensus on the future of Lower Manhattan. ![]() ![]() BACK when the off-Broadway thriller "Perfect Crime" was just a glimmer in a producer's eye, the plum part of the possibly homicidal psychiatrist was up for grabs. ![]() ![]() AS one of the stars of "The Producers," Cady Huffman says she was as surprised as anyone at the Sunday axing of Henry Goodman - and the ascension of Brad Oscar, longtime understudy to Nathan Lane, as the new Max Bialystock. ![]() ![]() Broadway's new $10 million baby owes its conception to a $2 videotape. The show, "Thoroughly Modern Millie," has its roots in a far-fetched idea hatched in a Long Island beach house. It took a difficult detour to California before coming back East as the last new musical of the 2001-02 Broadway season. ![]() ![]() For the curtain call of its production of "The Glass Blowers," John Philip Sousa's 1909 operetta, the New York City Opera orchestra plays Sousa's "Stars and Stripes Forever." ![]() ![]() Screenwriter Buck Henry has just one word to say when asked if he has seen two of his best-known characters � Mrs. Robinson and Benjamin Braddock � cavorting in the stage adaptation of "The Graduate," starring Kathleen Turner and Jason Biggs. ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() posted at 4/18/2002 08:56:53 AM by Matthew Murray | Item Link Wednesday, April 17, 2002 ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() posted at 4/17/2002 04:25:30 PM by Tim Dunleavy | Item Link ![]() ![]() Recovered from knee surgery, Gavin Creel struts his stuff in Thoroughly Modern Millie by Michael Buckley posted at 4/17/2002 03:45:01 PM by James Marino | Item Link ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Frank talk about Assassins, the controversial musical that became even more controversial after 9/11/01. ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Items on The Producers and Mr. Goldwyn. ![]() ![]() Article on John Loan (Jerome) and the singers on his label. Thanks to Gregg on ATC for the link. ![]() ![]() KSU production upsets students by Mary Macdonald A little nudity has caused a big stir at Kennesaw State University. posted at 4/17/2002 02:16:06 PM by Tim Dunleavy | Item Link ![]() ![]() By gosh! 'Millie' actress fulfills dream [Sutton Foster] ![]() ![]() [John Loan / John Jerome / Jerome Records] posted at 4/17/2002 10:07:56 AM by James Marino | Item Link ![]() ![]() ![]() ![]() Provocation and Ambition as Partners By BRUCE WEBER This original, provocative and entertaining play almost makes it to the end of its three-hour span without becoming pompous or overwrought. ![]() ![]() ![]() ![]() 'Vanya,' 'Ulysses,' Hotel' among slated prod'ns The premieres of two new works of musical theater plus revivals of plays by Chekhov, Euripides, Durrenmatt and Shakespeare will make up the 2002-03 season of the American Repertory Theater in Cambridge, Mass., the first under the nonprofit's new triumvirate of artistic director Robert Woodruff, associate a.d. Gideon Lester and executive director Robert J. Orchard. ![]() ![]() Vikki Carr, Patty Duke and Harry Groener will headline the Reprise! production of Follies, according to a production spokesperson. The show is scheduled to run for 11 performances (June...[Read More] ![]() ![]() Topdog/Underdog opened at the Ambassador Theatre on April 7 to [Read More] ![]() ![]() Oh. Nevermind. ![]() ![]() Brad Oscar is confirmed as the new star of The Producers, two TV ladies join The Tale of the Allergist�s Wife, and the Outer Critics Circle fields a Broadway-heavy list of award nominees. ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() posted at 4/17/2002 07:26:51 AM by James Marino | Item Link Tuesday, April 16, 2002 ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() posted at 4/16/2002 03:45:59 PM by Tim Dunleavy | Item Link ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Urich will always survive as an American icon -- not only for having made more TV series than any man, but for having made more friends while making them. Urich briefly played Billy Flynn in Broadway's Chicago before a recurrence of his cancer forced his early departure. He passed away shortly after Archerd filed this article. Urich was a solid, dependable actor whose natural likability always came through onscreen. That's one reason he was so often employed, and so often underrated. You can keep Joe Mantegna; Urich will always be Spenser -- make that "Spen-SAH!" -- to me. ![]() ![]() The distressing travails of the tenants at 308 W. 30th St., an apartment building partly owned by lyricist Sheldon Harnick, may have arrived at the best of all possible outcomes-a happy ending. ![]() ![]() posted at 4/16/2002 12:52:56 PM by Tim Dunleavy | Item Link ![]() ![]() In the first major crisis of a charmed Broadway run, the producers of "The Producers" have fired Henry Goodman from the lead role of Max Bialystock and replaced him with his understudy. ![]() ![]() The fairy tale quality of Brad Oscar's life took another turn about 11 on Sunday night. ![]() ![]() HE snagged a plum supporting role in "The Producers" when another actor suffered a knee injury. ![]() ![]() Brad Oscar is the new king of Broadway. ![]() ![]() The bad-news phone call went out during Sunday's matinee. ![]() ![]() The Producers is at the top of the headlines once again. What will be the result of all of this? Will the show get another box office boost because of all this publicity? And what will happen to Brad Oscar's career now? He's living the dream of practically every actor who's ever appeared on Broadway, and has done it the old-fashioned way, moving from the bottom to the top, by way of his talent and, yes, a little bit of luck. I've heard nothing but good things about Oscar in the role, and I, for one, am looking forward to seeing his take on the role now that he will have a chance to truly make it his own. ![]() ![]() Every performance of "Medea" is an adaptation. That said, the one adapted and directed by Alfred Preisser for the Classical Theater of Harlem is special. ![]() ![]() ![]() ![]() ![]() ![]() THE curtain rises on Broadway's new, $9.5 million musical, and there she is - the star of "Thoroughly Modern Millie" - Sutton Foster! ![]() ![]() "Oklahoma!" � the muchheralded British revival import of the groundbreaking American musical � corralled the most nominations for Outer Critics Circle Awards yesterday. The Last 10 Years: The Music of Jason Robert Brown was quite an event last night--great music, great performers, and great audience. (But, since almost all of BroadwayStars was there, what could you expect?) Brown strikes me as one of the greatest currently working composers of one-act plays in song, evidence pouring in time and time again during the evening that he is an accomplished musician and dramatist. I can't wait to see what he'll come up with next. posted at 4/16/2002 06:08:58 AM by Matthew Murray | Item Link ![]() ![]() Though panned by reviews, Goodman exit unexpected The bad-news phone call went out during Sunday's matinee. Henry Goodman was onstage playing Max Bialystock in the Broadway hit "The Producers." Neither he nor Steven Weber, the show's other new co-star, knew it would be Goodman's last appearance in the show, although there had been rumors of trouble over at the St. James Theater for at least two weeks. ![]() ![]() B'way sees downturn; 'Fortune,' 'Graduate' buck trend ![]() ![]() 1971 musical features Carr, Duke ![]() ![]() George C. Wolfe�s Harlem Song will begin performances on July 6 at the legendary Apollo Theatre, where it will be the first...[Read More] ![]() ![]() Rupert Holmes� Say Good Night, Gracie will likely open on Broadway this summer, the show�s producer told Broadway.com. The solo show, starring Frank Gorshin and directed by John Tillinger, is a...[Read More] ![]() ![]() Horton Foote�s The Carpetbagger�s Children has been extended at Lincoln Center�s Mitzi E. Newhouse Theater. The play, starring Hallie Foote, Roberta Maxwell and Jean Stapleton, will now run thr...[Read More] ![]() ![]() Looks like Boy George will star in the musical about his life in the 1980s, Taboo, beginning on May 6. The pop star will not play himself however, instead he will appear in the role of performa...[Read More] ![]() ![]() Bernard Pomerance's The Elephant Man was a huge hit when it premiered on Broadway during the 1978-79 season, earning raves...[Read More] ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() posted at 4/16/2002 06:07:09 AM by James Marino | Item Link Monday, April 15, 2002 ![]() ![]() Filichia says goodbye to his mother, who first opened his eyes to the world he adores. ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() THE roar of the greasepaint, the smell of the crowd? Is that what prompts a young woman from London to move to Portugal to join a ballet company, then back to London to play the snooty ballet dancer in the musical "Fame" and to take diverse roles like the mature and cynical Roxie in "Chicago" and the young, innocent and indecisive Laurey in "Oklahoma!"? Now she is Laurey on Broadway. ![]() ![]() Although de Moraes says that the song parodied is "I Only Have Eyes For You," it seems clear that the lyric quoted is actually a parody of "I Hope I Get It" from A Chorus Line. ![]() ![]() When Christopher Wheeldon crossed over from ballet to choreograph the dancing in "Sweet Smell of Success," he was warned about the challenges of Broadway. Wheeldon was also the subject of a profile on yesterday's "CBS News Sunday Morning." Thanks to John_C. on All That Chat for the link. ![]() ![]() Review of Marilyn Horne/Barbara Cook concert. Thanks again to John_C. for the link. posted at 4/15/2002 01:13:43 PM by Tim Dunleavy | Item Link ![]() ![]() Max has gotten the ax. Henry Goodman - the London stage star who replaced Nathan Lane as Max Bialystock in "The Producers" - was fired from the hit Broadway musical yesterday, The Post has learned. ![]() ![]() Henry Goodman, the British actor who took over from Nathan Lane as Max Bialystock in the hit musical "The Producers" just a month ago, was axed from the production after the Sunday matinee. He had given just 30 performances in the role. ![]() ![]() A very interesting development. This is also wonderful news for Brad Oscar. Are we to infer from all this that Goodman will not be opening the London production of the show as Max? If so, who might take his place? ![]() ![]() ![]() ![]() BroadwayStars will be there!Thanks, James. posted at 4/15/2002 06:16:57 AM by Matthew Murray | Item Link ![]() ![]() ![]() ![]() A Mirror to Reflect a Grotesque Society By BEN BRANTLEY Billy Crudup, pictured right, Rupert Graves and Kate Burton perform startling magic in this coolly staged revival of Bernard Pomerance's biographical 1979 drama. ![]() ![]() ![]() ![]() Musical revival nets 10, closely followed by 'Millie' with 8 ![]() ![]() High number of performers called for new agreement ![]() ![]() Standouts are few at Masterson's first fest ![]() ![]() The Elephant Man" seems to be about a lot of things � the way freaks are treated in a commercial society, the prudishness of Victorian England, the way science tries to keep pace with nature. The reason Bernard Pomerance's 1979 play matters, however, has nothing to do with its often elevated language and concerns. ![]() ![]() Bernard Pomerance's The Elephant Man was a huge hit when it premiered on Broadway during the 1978-79 season, earning raves...[Read More] ![]() ![]() By Bill Hoffmann The Miss America beauty contest is facing the threat of bankruptcy. The 81-year-old pageant has gone $1 million into the red and is struggling to survive. Yet another example of an institution that needs to change in order to survive. Like the Tony Awards. ![]() ![]() By CLIVE BARNES BROADWAY likes nothing better than to retread the successes of its past. Unless you're Lot's Wife, looking back will always be safer than looking forward. ![]() ![]() Post Staff WHOOPI Goldberg is winding up a bad month. First, she hosted the lowest-rated Oscars telecast of all times - now her role as center square on the syndicated "Hollywood Squares" will soon be history. And then there is MILLIE... But don't count Whoopi down -- she is a talented and ambitious person. She will be back on top. ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Saw SMELL OF THE KILL on Saturday. I will never get that 75 minutes back. That makes me mad. Lets get the great talent on the stage into something good soon. posted at 4/15/2002 06:15:11 AM by James Marino | Item Link Sunday, April 14, 2002 ![]() ![]() "Oklahoma" offers pure patriotic pleasure, while Edward Albee's "The Goat, or Who Is Sylvia?" catches you with tragedy, built-in laughs and elements of fantasy. ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() AT THE RISK of bringing more nationalist upheaval into the roiling world, something should be said about British directors and Broadway. ![]() ![]() Freedom Theatre, one of Philadelphia's foremost African American cultural organizations, is expected to announce Monday that it is suspending operations for financial reasons. ![]() ![]() To Maurice Hines, the star of a touring revival, that means a diverse cast reflecting the kind of world he grew up in. ![]() ![]() Stars of Colony Theatre's 'Side Show' say production has transformed them ![]() ![]() Last summer, Sarah Whitney set off on a journey to discover the true spirit of playwright Horton Foote's "The Trip to Bountiful," a play she was intimately familiar with. Thanks to American Theater Web for these two links: ![]() ![]() They sit around the living room hurling insults, luring each other into harebrained schemes, or trying to one-up each other with the perfect bon mot. Those could be the descriptions of any number of situation comedies during the past 50 years. They also apply to three of the most intriguing plays on Broadway - this year's Pulitzer Prize winner, ''Topdog/Underdog'' by Suzan-Lori Parks; Edward Albee's ''The Goat or Who is Sylvia?,'' and a modern adaptation of Ivan Turgenev's ''Fortune's Fool.'' ![]() ![]() From Albee to Ovid, Four Shows Take -- and Land -- Bold Artistic Leaps posted at 4/14/2002 10:18:51 AM by Tim Dunleavy | Item Link ![]() ![]() More and more, Broadway musicals are being adapted from popular movies as producers try to make a risky venture safer. ![]() ![]() ![]() ![]() It was that unique Anglo-American Winston Churchill who observed that "the United States and the United Kingdom are two nations divided by a common language." ![]() ![]() Michael Jackson wanted to buy them, but the Elephant Man's bones remain where God left them - at London Hospital. ![]() ![]() ![]() ![]() posted at 4/14/2002 06:52:10 AM by Matthew Murray | Item Link BroadwayStars is powered by Blogger Pro! [Past News] |
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