All stories by Natasha Tripney on BroadwayStars

Saturday, May 23, 2015

Natasha Tripney: Insular thinking will kill criticism by Natasha Tripney

The Stage has, as you may be aware, recently launched its Critic Search to unearth new writing talent. It is, I believe,

SOURCE: The Stage Registration at 07:00AM
Tuesday, May 19, 2015

Natasha Tripney’s theatre picks: May 19 by Natasha Tripney

Festival season is still in full swing – in Brighton, Norwich and Bristol – but the main event of the week is

SOURCE: The Stage Registration at 04:00AM
Tuesday, May 12, 2015

Natasha Tripney’s theatre picks: May 12 by Natasha Tripney

This week is full of festivals. The Brighton Festival and Fringe enter their second week, as does the Norfolk and Norwich Festival,

SOURCE: The Stage Registration at 04:00AM
Monday, May 11, 2015

Balancing a life in theatre with fatherhood by Natasha Tripney

“We need to find a way of focusing on parents working within the arts,” David Mercatali insists. Having separate conversations about the needs

SOURCE: The Stage Registration at 09:00AM
Tuesday, May 5, 2015

Natasha Tripney’s theatre picks: May 5 by Natasha Tripney

In the first in my weekly round-ups of new writing and work from the subsidised sector, there’s a double dose of political

SOURCE: The Stage Registration at 04:00AM
Monday, May 4, 2015

Les Enfants Terrible on Alice’s Adventures Underground by Natasha Tripney

“What we’re doing here is world-building,” says Oliver Lansley. Together, with co-director James Seager, his company Les Enfants Terribles is in the

SOURCE: The Stage Registration at 07:00AM
Saturday, May 2, 2015

Brighton festivals stay true to form with eclectic line-up by Natasha Tripney

Now a major milestone in the international cultural calendar, the Brighton Festival – complemented by the Brighton Fringe, one of the largest

SOURCE: The Stage Registration at 03:00AM
Monday, April 13, 2015

Natasha Tripney: The Oliviers reflect the appetite for experimental work in the West End by Natasha Tripney

The 2015 Olivier Awards felt like a solid reflection of the excellent work that has been filling our stages – albeit a

SOURCE: The Stage Registration at 09:00AM

Ross Sutherland: ‘I’ve had no theatrical training whatsoever’ by Natasha Tripney

“It felt like I was writing from the subconscious,” Ross Sutherland explains over black coffee in the Electric Elephant cafe in south

SOURCE: The Stage Registration at 07:00AM
Tuesday, April 7, 2015

How women in the theatre manage their careers and children by Natasha Tripney

“This year is our 10-year anniversary so we thought, ‘lets do 10 shows’, which is obviously a very sensible thing to do

SOURCE: The Stage Registration at 09:00AM
Saturday, April 4, 2015

What the BAC fire has taught us about the value of theatre by Natasha Tripney

At 4.20pm on Friday March 21, exactly a week, to the hour, after the fire broke out which consumed most of the

SOURCE: The Stage Registration at 05:00AM
Thursday, April 2, 2015

Ruth Mackenzie: ‘A festival should be a place for everyone to go a bit wild’ by Natasha Tripney

When you speak to Ruth Mackenzie it’s her zealousness about the role of artistic director she is about to step in to

SOURCE: The Stage Registration at 07:00AM
Tuesday, March 17, 2015

Natasha Tripney: Battersea Arts Centre is more than a building by Natasha Tripney

On Friday as I stood on the platform at Clapham Junction station and saw a sudden uprush of flame redden an already

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Monday, March 9, 2015

Natasha Tripney: Oliviers nominations are solid, but too timid by Natasha Tripney

It’s really pleasing to see the Young Vic being recognised at this year’s Olivier awards for its bold, smart programming; scoring 11

SOURCE: The Stage Registration at 12:03PM

How theatre is adapting to relaxed performances by Natasha Tripney

Every performance of Jess Thom’s show Backstage in Biscuit Land is a relaxed performance. Thom, who has Tourette’s syndrome, a neurological condition

SOURCE: The Stage Registration at 10:00AM
Monday, February 23, 2015

Farinelli and the King , Sam Wanamaker Playhouse, London by Natasha Tripney

Sam Wanamaker Playhouse, London: This production has moments that are utterly transporting: the combination of the human voice at its most dizzyingly pristine and the glitter of candlelight …

SOURCE: The Stage Registration at 05:26AM
Friday, February 20, 2015

Yen , Royal Exchange Studio, Manchester by Natasha Tripney

Royal Exchange Studio, Manchester: Since Anna Jordan won the Bruntwood Prize back in 2013, she's had two other plays staged, Freak and Chicken Shop (in London, at Theatre 503 and the Pa…

SOURCE: The Stage Registration at 06:00AM
Thursday, February 19, 2015

Eugene Onegin , Barbican, London by Natasha Tripney

Barbican, London: Rimas Tuminas' staging of Pushkin's epic poem by the Vakhtangov State Academic Theatre of Russia - currently on a global tour - is full of thrilling imagery. It i…

SOURCE: The Stage Registration at 05:18AM
Wednesday, February 18, 2015

Britain's Best Recruiting Sergeant , Unicorn, London by Natasha Tripney

Unicorn, London: Although written with a family audience in mind, Joy Wilkinson's play about the life and career of Vesta Tilley, the celebrated music hall star and male impersonator, i…

SOURCE: The Stage Registration at 05:11AM
Thursday, February 12, 2015

The Life and Times of Fanny Hill , Old Vic, Bristol by Natasha Tripney

Old Vic, Bristol: There's a sense of timeliness to this staging of John Cleland's notorious and oft-banned novel of sexual pleasure, first published in 1748. Playwright April de An…

SOURCE: The Stage Registration at 05:42AM
Wednesday, February 11, 2015

Jefferson's Garden , Watford Palace, London by Natasha Tripney

Watford Palace, London: Timberlake Wertenbaker's intricate play about the nature of freedom - receiving its premiere at Watford Palace - is set during the years of American Revolution, …

SOURCE: The Stage Registration at 05:38AM
Tuesday, February 10, 2015

Boa , Studio 2, Trafalgar Studios, London by Natasha Tripney

Studio 2, Trafalgar Studios, London: Clara Brennan's tender, reflective two-hander sees a couple looking back on their long relationship, on the years they have spent with one another, …

SOURCE: The Stage Registration at 04:51AM
Friday, February 6, 2015

The Singing Stones , Arcola Theatre, London by Natasha Tripney

Arcola Theatre, London: Kay Adshead's triptych of short plays about the impact of the events of the Arab Spring on the women in the Middle East is not without moments of potency. But th…

SOURCE: The Stage Registration at 05:44AM
Wednesday, February 4, 2015

Arcadia , Theatre Royal, Brighton by Natasha Tripney

Theatre Royal, Brighton: Last year saw Blanche McIntyre make her Shakespeare's Globe directing debut with a bright, broad Comedy of Errors, helm an elegant, painterly triptych of Noel C…

SOURCE: The Stage Registration at 04:53AM
Monday, February 2, 2015

The Separation , Theatre503, London by Natasha Tripney

Theatre503, London: Richard Molloy's debut play, originally staged at Dublin's Project Arts Centre, breaks into a gallop at its halfway point only to end oddly abruptly. Read the f…

SOURCE: The Stage Registration at 05:43AM
Friday, January 30, 2015

Di and Viv and Rose , Vaudeville Theatre, London by Natasha Tripney

Vaudeville Theatre, London: This is the third incarnation of Amelia Bullmore's bittersweet play. It debuted in Hampstead Theatre's Downstairs space in 2011, transferred to the main…

SOURCE: The Stage Registration at 05:31AM
Tuesday, January 27, 2015

Taken at Midnight , Theatre Royal Haymarket, London by Natasha Tripney

Theatre Royal Haymarket, London: Mark Hayhurst's fascinating and intelligent play - which premiered in Chichester in October - makes a smooth transition into the West End. If anything, …

SOURCE: The Stage Registration at 05:05AM
Friday, January 23, 2015

Oppenheimer , Swan Theatre, Stratford-upon-Avon by Natasha Tripney

Swan Theatre, Stratford-upon-Avon: Tom Morton-Smith's engaging account of the life and legacy of the 'father of the atomic bomb', J Robert Oppenheimer, walks a fine line. Mort…

SOURCE: The Stage Registration at 06:04AM
Wednesday, January 21, 2015

The Changeling , Sam Wanamaker Playhouse, London by Natasha Tripney

Sam Wanamaker Playhouse, London: The Sam Wanamaker Playhouse, the Globe's indoor Jacobean space, is a magical venue even when it is flecked with red, when it is tainted by madness and l…

SOURCE: The Stage Registration at 05:17AM
Tuesday, January 20, 2015

Islands , Bush, London by Natasha Tripney

Bush, London: Caroline Horton's latest devised piece is a bloated, grotesque and distended thing. But that's kind of the point. Horton's exploration of tax havens drips; it r…

SOURCE: The Stage Registration at 06:06AM
Friday, January 16, 2015

Contact.Com , Park Theatre, London by Natasha Tripney

Park Theatre, London: Michael Kingsbury's tepid, creaky sex comedy begins as one thing but ends up as another. Matthew and Naomi, a middle class childless couple - he's a psychiatr…

SOURCE: The Stage Registration at 06:07AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime