Tuesday, January 20, 2015
The Broadway veteran Tom Hewitt plays a disarming psychopath in “Another Medea,” a monologue written by Aaron Mark.
SOURCE: The New York Times Subscription at 05:40PM“The Woodsman,” an ambitious production from James Ortiz, uses spare dialogue, omnipresent music and fanciful puppets to tell the Tin Man’s back story.
SOURCE: The New York Times Subscription at 05:30PMMonday, January 19, 2015
In Amir Reza Koohestani’s “Timeloss,” two actors, former lovers, rehash an argument that’s both scripted and real.
SOURCE: The New York Times Subscription at 01:05PMThursday, January 15, 2015
The Talking Band, a SoHo based avant-garde theater company that produced its first show 40 years ago, remains active and vital.
SOURCE: The New York Times Subscription at 12:44PMFriday, January 9, 2015
Jeremy Chess, the producer of “Soul Doctor,” hopes for success as the play moves to an Off Broadway stage.
SOURCE: The New York Times Subscription at 05:59PMMonday, December 29, 2014
Tuesday, December 23, 2014
“Cafe Society Swing,” a revue wrapped around a bit of New York history, traces the demise of the Greenwich Village jazz club Cafe Society.
SOURCE: The New York Times Subscription at 10:51AMWednesday, December 17, 2014
Thursday, December 11, 2014
“The Velvet Oratorio,” written by Edward Einhorn and composed and directed by Henry Akona, commemorates the 25th anniversary of the Velvet Revolution in Czechoslovakia.
SOURCE: The New York Times Subscription at 05:56PMTuesday, December 9, 2014
Todd Michael’s “The Asphalt Christmas” is a satirical mash-up of old Hollywood movies, holiday-related and otherwise.
SOURCE: The New York Times Subscription at 06:01PMShuler Hensley stars in “Dr. Seuss’ How the Grinch Stole Christmas! The Musical,” the holiday offering at the Theater at Madison Square Garden.
SOURCE: The New York Times Subscription at 05:57PMMonday, December 8, 2014
“Send for the Million Men,” a multimedia drama at Here, enlists puppets, video, a robot and three human actors to revisit the 1920s trial and execution of Sacco and Vanzetti.
SOURCE: The New York Times Subscription at 04:54PMWednesday, December 3, 2014
After 46 years, Michael P. Price is stepping down as executive director of Goodspeed Musicals in Connecticut.
SOURCE: The New York Times Subscription at 05:31PM“On a Stool at the End of the Bar,” by Robert Callely, follows a couple as they adjust to some surprising truths.
SOURCE: The New York Times Subscription at 12:48PMThursday, November 13, 2014
As “Tamburlaine, Parts I and II” prepares to open, a look at productions which have needed that most theatrical of special effects.
SOURCE: The New York Times Subscription at 12:02PMMonday, November 10, 2014
“Odd Birdz,” from the ensemble Tziporela, features sketches with a wide range of characters and situations.
SOURCE: The New York Times Subscription at 04:46PMTuesday, November 4, 2014
“Spacebar: A Broadway Play by Kyle Sugarman” is a coming-of-age comedy about a Colorado drama geek yearning for his father, who’s fled to New York.
SOURCE: The New York Times Subscription at 12:49PMThursday, October 30, 2014
“Six Characters in Search of an Author” retains its haunting, experimental feel in Emmanuel Demarcy-Mota’s production at the Brooklyn Academy of Music’s Harvey Theater.
SOURCE: The New York Times Subscription at 05:56PMNow getting a rare revival from the New Group, David Rabe’s “Sticks and Bones” brings America’s living-room war into a sitcom-perfect American living room.
SOURCE: The New York Times Subscription at 12:25PMTuesday, October 28, 2014
In “Not Afraid,” a new play by Nora Sorena Casey, a young woman’s violent fixations threaten to turn on her.
SOURCE: The New York Times Subscription at 03:44PMThursday, October 16, 2014
Wednesday, October 15, 2014
Tuesday, October 14, 2014
Sunday, October 12, 2014
Jordan Harrison’s new comedy “Marjorie Prime” premieres at the Mark Taper Forum with Lois Smith in the title role.
SOURCE: The New York Times Subscription at 04:31PMTuesday, October 7, 2014
Mike Daisey performs “The Great Tragedies,” four monologues that touch on his grave frailties in the context of Shakespeare’s tragedies, at California Shakespeare Theater.
SOURCE: The New York Times Subscription at 05:53PMFriday, September 26, 2014
The outdoor presentation of “Everything by my side,” by Fernando Rubio of Buenos Aires, is part of the Crossing the Line festival.
SOURCE: The New York Times Subscription at 06:32PMThursday, September 25, 2014
“Gaïa Global Circus” is a thoughtful climate-change play by Pierre Daubigny, performed almost entirely in French with English supertitles.
SOURCE: The New York Times Subscription at 06:05PMTuesday, September 23, 2014
Thursday, September 18, 2014
“Embers,” a radio play by Samuel Beckett, is staged for a theater audience at the Harvey Theater as part of the Brooklyn Academy of Music’s Next Wave Festival.
SOURCE: The New York Times Subscription at 06:06PMFriday, September 12, 2014
In “Imagining O,” Richard Schechner meshes Shakespeare with “Story of O,” depicting women as strong and defiant.
SOURCE: The New York Times Subscription at 05:50PM 
