
[ 411 ] Rosie O'Donnell Back to Daytime TV by Roger Friedman
[ 411 ] Rosie O'Donnell: New Deal Reunites Her With Old Pals by Roger Friedman
[ V ] 'Glee' not going legit By GORDON COX
News that tuner licensing company Music Theater Intl. was in discussions to create a legit version of the buzzed-about show initially surface online, and were confirmed by MTI. But a rep for Fox said no talks had taken place with MTI or any other legit licensing company.
[ V ] TV ads play up plays by Gordon Cox
Starry casts make for splashy tube presence
[ NYT ] The Fine Art of Selling a Show By ERIK PIEPENBURG
A look at some of the poster art ideas for the coming Broadway revival of "La Cage aux Folles."
[ NYT ] Interactive Feature: Ad Evolution: 'La Cage aux Folles'
[ NYT ] Loving Molly, and Getting Her to the Stage By STEVEN McELROY
The play "Red Hot Patriot: The Kick-Ass Wit of Molly Ivins" has been the beneficiary of a string of fortuitous events, including the casting of Kathleen Turner in the one-woman show.
[ NYT ] A Night Out With | Alicia Silverstone
A Vegan in Word and Deed By PATRICK HEALY
The actress, best-known for playing the matchmaking high school princess Cher Horowitz in the 1995 movie "Clueless," is Broadway and has a new vegan cookbook.
[ TM ] Suzanne Brockmann: Looking Up By: Diane Snyder
The popular romance novelist and husband Ed Gaffney discuss their new Off-Broadway play, Looking for Billy Haines.
[ DCTS ] Josh Kornbluth on Andy Warhol: Good for the Jews?
In a very funny video, Joel Markowitz interviews monologist Josh Kornbluth about his new show Andy Warhol: Good for the Jews? playing through this weekend at Theater J.
[ NYT ] Stranger Leaves the Guests Both Shaken and Stirred By JASON ZINOMAN
The sparkling veneer of a respectful production of T .S. Eliot's "The Cocktail Party," at the Beckett Theater, hides a much more brooding, sanctimonious and didactic play.
[ BS ] Miss Lulu Bett - Reviewed by ERIK HAAGENSEN
The tone of Kathleen Brant's direction skews the play's balance of comedy and drama toward a strained version of the former, rendering this staging of Zona Gale's 1920 Pulitzer Prize winner a disappointment.
[ TM ] Golden Age
Reviewed by: Michael Toscano
Jeffrey Carlson gives a richly nuanced performance as composer Vincenzo Bellini in Terrence McNally's somewhat unfocused new play about the 19th-century opera world.
[ TNO ] TOWN AND COUNTRY by CLIVE HIRSCHHORN
Though hard to match against previous productions, London Assurance brings a colorful mix of characters to the table.
[ TE ] Looped - Reviewed by OSCAR E. MOORE
The indomitable, feisty and brilliant Valerie Harper gives a comic and touching performance of epic proportions doing justice to that dame named Tallulah.

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