All stories by Thomas Antoinne on BroadwayStars

Saturday, January 19, 2013

Los Angeles Theater Review: FREUD’S LAST SESSION (Broad Stage) by Thomas Antoinne

TALKING HEADS Mark St. Germain’s commercially successful two-hander Freud’s Last Session, suggested by The Question of God by Dr. Armand M. Nicoli, Jr., is about a speculative meeting be…

SOURCE: Stage and Cinema at 02:57AM
Thursday, January 10, 2013

Los Angeles Theater Review: ‘TIS PITY SHE’S A WHORE (UCLA’s Freud Playhouse) by Thomas Antoinne

‘TIS PITY IT’S A SHORT RUN Cheek by Jowl’s touring production of John Ford’s revenge tragedy, ‘Tis Pity She’s a Whore, landed at UCLA’s Freud Playhouse for a brief run. The tru…

SOURCE: Stage and Cinema at 11:42PM
Sunday, December 16, 2012

Los Angeles Theater Review: CYMBELINE (The Broad Stage in Santa Monica) by Thomas Antoinne

THE OLD COLLEGE TRY Brown University/Trinity Rep’s MFA program has a solid reputation as theatre arts training for bright, enthusiastic, well-rounded theatre artists.  The challenge for e…

SOURCE: Stage and Cinema at 02:58AM
Sunday, December 2, 2012

Los Angeles Theater Review: CONEY ISLAND CHRISTMAS (Geffen Playhouse) by Thomas Antoinne

PALE-Y BY COMPARISON On paper, it must have seemed like such a great idea: create a new holiday show as an alternative to the onslaught of Christmas Carols and Nutcrackers, have Pulitzer-win…

SOURCE: Stage and Cinema at 02:58AM
Saturday, November 17, 2012

Los Angeles Theater Review: HAMLET (The Broad Stage in Santa Monica) by Thomas Antoinne

LEAN HAMLET ON THE BROAD STAGE Shakespeare’s Globe’s touring production of Shakespeare’ Hamlet is currently on the boards at the elegant Broad Stage in Santa Monica, CA.  Written in a…

SOURCE: Stage and Cinema at 10:42PM
Tuesday, October 23, 2012

Los Angeles Theater Review: YOU CAN’T TAKE IT WITH YOU (Antaeus) by Thomas Antoinne

A DELECTABLE CHESTNUT Kaufman & Hart’s You Can’t Take it With You has earned its place in the American canon as a great American chestnut, one of those charming, heartfelt comedies f…

SOURCE: Stage and Cinema at 06:32PM
Monday, October 8, 2012

Los Angeles Theater Review: THE CIRCLE (Theatre 40 in Beverly Hills) by Thomas Antoinne

SEMI-CIRCLE The drawing room comedy has fallen out of fashion over the years. These extremely well-made, light, sophisticated plays center around members of polite society whose lives unrave…

SOURCE: Stage and Cinema at 01:01PM
Monday, September 10, 2012

Los Angeles Theater Review: Silence! The Musical (Hayworth Theatre in Los Angeles) by Thomas Antoinne

SILENCE! THE FRANCHISE Silence! The Musical was one of the big hits of the 2005 New York International Fringe Festival. The parody of Jonathan Demme’s 1991 Oscar-winning horror thriller Si…

SOURCE: Stage and Cinema at 07:01PM
Monday, August 20, 2012

Los Angeles Theater Review: THE CITY (Son of Semele) by Thomas Antoinne

SUBLIME CITY Son of Semele has consistently produced spectacular productions with scant resources in their awkward garage-like space nestled between lower Silver Lake and Historic Filipino T…

SOURCE: Stage and Cinema at 05:04PM
Wednesday, July 25, 2012

Off-Broadway Theater Review: TRIBES (Barrow Street Theatre) by Thomas Antoinne

FINDING YOUR TRIBE Theatre of Identity is a fascinating phenomenon: this genre promotes a particular people’s cultural identity and invites members of that culture and other cultures t…

SOURCE: Stage and Cinema at 04:39PM
Tuesday, July 17, 2012

Off-Broadway Theater Review: DOGFIGHT (Second Stage Theatre in New York City) by Thomas Antoinne

DOG OF A MUSICAL The musical theatre canon is filled with bad ideas that made very good musicals.  Stories of vengeful barbers, decadence in Nazi Germany, and even wife beaters have all gon…

SOURCE: Stage and Cinema at 05:51PM
Friday, July 13, 2012

Off-Broadway Theater Review: COLE PORTER’S NYMPH ERRANT (The Clurman Theatre) by Thomas Antoinne

MUSICAL ERRANT Expectations should always be lowered a bit when seeing revivals of musicals written before Oklahoma!.  In pre-war musicals, songs weren’t intended to move plots forward or…

SOURCE: Stage and Cinema at 10:00PM
Monday, July 2, 2012

Off-Broadway Theater Review: TRIASSIC PARQ (SoHo Playhouse) by Thomas Antoinne

DOWNTOWN DINOSAURS The Off-Broadway Musical is an endangered species.  The perfect storm of escalating real estate rents, union expectations, and production costs render producing commercia…

SOURCE: Stage and Cinema at 01:14PM
Tuesday, June 12, 2012

Off-Broadway Theater Review: DAMASCUS (4th Street Theater) by Thomas Antoinne

MAGNIFICENT CHARACTER ACTOR ON THE BUMPY ROAD TO DAMASCUS When Andrew Weems enters the stage to perform Damascus, a solo play he also wrote, the 4th Street Theater immediately fills with his…

SOURCE: Stage and Cinema at 03:47PM

Off-Off-Broadway Theater Review: THESE SEVEN SICKNESSES (The Flea Theater) by Thomas Antoinne

A HAPPENING OF THE HIGHEST THEATRICAL ORDER The Flea Theatre’s young resident acting ensemble, The Bats, is re-mounting their production of These Seven Sicknesses.  If you’re looking fo…

SOURCE: Stage and Cinema at 01:54PM
Friday, May 11, 2012

Broadway Theater Review: The Gershwins’ Porgy and Bess (Richard Rogers Theatre in New York City) by Thomas Antoinne

PLENTY OF NOTHING Even before The Gershwins’ Porgy and Bess opened on Broadway, it was fraught with controversy.  A New York Times puff piece on the Boston American Repertory Theater pro…

SOURCE: Stage and Cinema at 06:55PM
Friday, April 27, 2012

Broadway Theater Review: DON’T DRESS FOR DINNER (American Airlines Theatre) by Thomas Antoinne

DON’T EVEN BOTHER Broadway producers often hope lightning will strike twice as they mount shows very similar to past successes.  We have recently seen the creative team of Hairspray u…

SOURCE: Stage and Cinema at 11:18PM
Tuesday, April 24, 2012

Broadway Theater Review: GHOST THE MUSICAL (Lunt-Fontanne Theatre in New York City) by Thomas Antoinne

THEATRE GHOST In uncertain times such as these, audiences crave familiarity and nostalgia.  Broadway, which once turned plays into movies, is now glutted with adaptations of popular films b…

SOURCE: Stage and Cinema at 02:04AM
Friday, April 20, 2012

New York Theater Review: EVITA (Marquis Theatre in New York City) by Thomas Antoinne

LIVING EVITA LOCA Sir Andrew Lloyd Webber – together with lyricist Tim Rice – released the Evita “rock opera concept album” in 1976, a few years before the first theatrical productio…

SOURCE: Stage and Cinema at 03:13AM

Broadway Theater Review: CLYBOURNE PARK (Walter Kerr Theatre) by Thomas Antoinne

THERE GOES THE NEIGHBORHOOD Ever since Crimes of the Heart won the Pulitzer Prize for drama in 1981, a cloud of skepticism has followed the award.  The announcement that last year’s winne…

SOURCE: Stage and Cinema at 03:04AM
Thursday, April 19, 2012

Broadway Theater Review: ONE MAN, TWO GUVNORS (The Music Box in New York City) by Thomas Antoinne

ONE HIT, TWO GUVNORS Once upon a time, you could attend theatre by Americans and watch actors who had worked together for decades.  Long rehearsal periods to explore classical texts were co…

SOURCE: Stage and Cinema at 01:06PM
Friday, April 6, 2012

Off Broadway Theater Review: 4000 MILES (Mitzi E. Newhouse Theater) by Thomas Antoinne

MILES OF TALENT AT LINCOLN CENTER As a reviewer, I don’t like to pander in hyperbole, but since this year has been such a second-rate season in New York, I think it’s safe to say that 40…

SOURCE: Stage and Cinema at 05:26PM
Sunday, April 1, 2012

Off Broadway Theater Review: CARRIE (Lucille Lortel Theatre) by Thomas Antoinne

MCC GETS CARRIE-D AWAY The myth that youth market musicals are a low-risk venture has gained strength over the last few years in New York City.  Short-sighted producers will overlook disast…

SOURCE: Stage and Cinema at 03:25AM
Friday, March 30, 2012

Broadway Theater Review: NEWSIES (Nederlander Theatre, NYC) by Thomas Antoinne

GOOD NEWSIES, BAD NEWSIES A few months ago, the New York theatre community was all abuzz with the announcement that the Paper Mill Playhouse production of Newsies was transferring to Broadwa…

SOURCE: Stage and Cinema at 03:26AM
Friday, March 23, 2012

New York Theater Review: MY TAWNY VALENTINE (The Laurie Beechman Theater in New York) by Thomas Antoinne

A TAWNY STAR IS BORN Tawny Heatherton is the fictional drag persona created by David Drake, the star of My Tawny Valentine at The Laurie Beecham Theatre. As the niece of Joey Heatherton, Taw…

SOURCE: Stage and Cinema at 03:28AM

New York Theater Review: RUTHERFORD & SON (Mint Theater Company in New York) by Thomas Antoinne

MINT ACTING IN RUTHERFORD & SON The Mint Theater Company’s mission is to “excavate buried theatrical treasures” and bring “new vitality to neglected plays.” No small task as pl…

SOURCE: Stage and Cinema at 03:06AM
Saturday, January 28, 2012

Off Broadway Theater Review: YOSEMITE (Rattlestick Playwrights Theater) by Thomas Antoinne

THE NATURALIST THING TO DO In the late 19th century, Naturalism emerged as a viable theatrical style in response to the artifice that had earlier been in vogue.  It was almost inevitable th…

SOURCE: Stage and Cinema at 06:39PM
Friday, November 18, 2011

Off Broadway Theater Review: BURNING (The New Group) by Thomas Antoinne

BURNING BRADSHAW Post-modern theater has yet to live up to the hype.  Whether deconstructing established forms or employing historical eclecticism, American playwrights writing within a pos…

SOURCE: Stage and Cinema at 06:58PM

Off Broadway Theater Review: HORSEDREAMS (Rattlestick Playwrights Theater) by Thomas Antoinne

HORSEDREAMS AND NIGHTMARES A few years ago, Dael Orlandersmith made a splash with Beauty’s Daughter and Yellowman, winning an Obie Award and being a Pulitzer Finalist.  Her work was large…

SOURCE: Stage and Cinema at 03:01PM
Tuesday, November 8, 2011

Off Broadway Theater Review: THE ATMOSPHERE OF MEMORY (Labyrinth Theater Company) by Thomas Antoinne

LOST IN THE LABYRINTH In Outrageous Fortune, Todd London’s seminal work on the current state of new plays in America, he writes that the challenge is finding a way to remain relevant to th…

SOURCE: Stage and Cinema at 06:37PM
Thursday, October 27, 2011

Off Broadway Theater Review: ASUNCION (Rattlestick Playwrights Theater @ Cherry Lane) by Thomas Antoinne

ASUNCION DESCENDING Conventional wisdom in Hollywood says that after you get an Oscar nomination, for the next five years everyone will return your phone calls.  It seems Jesse Eisenberg ha…

SOURCE: Stage and Cinema at 10:47AM

All that Chat

2023-2024 BROADWAY SEASON
May 30, 2023: Grey House - Lyceum Theatre
Jun 26, 2023: Just For Us - Hudson Theatre
Jul 24, 2023: The Cottage - Hayes Theater
Nov 16, 2023: Spamalot - St. James Theatre
Dec 18, 2023: Appropriate - Hayes Theater
Mar 07, 2024: Doubt - Todd Haimes Theatre
Apr 14, 2024: Lempicka - Longacre Theatre
Apr 17, 2024: The Wiz - Marquis Theatre
Apr 18, 2024: Suffs - Music Box Theatre
Apr 25, 2024: Mother Play - Hayes Theater
Jun 10, 2024: The Drama Desk Awards