All stories by Cindy Pierre on BroadwayStars

Monday, May 25, 2015

AK-47 Sing-Along by Cindy Pierre

In Samara Weiss' harrowing "AK-47 Sing-Along," Palestine has two arms-promoting revolutionaries to teach children about martyrdom in their own grisly version of "Sesame Street."

SOURCE: Backstage at 05:58PM

Abraham's Daughters by Cindy Pierre

It's pretty implausible that in 2010 a Christian, a Muslim, and a Jew, with an atheist thrown in for good measure, would walk into a dorm room so completely ignorant of each other's religion…

SOURCE: Backstage at 05:58PM

Interfaith Understanding With Rev. Bill and Betty by Cindy Pierre

There's nothing challenging in this occasionally funny but mostly silly mockery of Christian evangelists.

SOURCE: Backstage at 05:58PM

Faster Than the Speed of White by Cindy Pierre

Although it's not always a smooth blend, this exploration of identity, culture, and race is funny, introspective, and will appeal to the young at heart.

SOURCE: Backstage at 05:58PM

A Bright New Boise by Cindy Pierre

Samuel D. Hunter's compelling but uneven new character drama is a nice foray into the aftermath of ruin and the beginning of redemption, but it needs to be fleshed out.

SOURCE: Backstage at 05:58PM

Freckleface Strawberry by Cindy Pierre

It takes a lot to arrest the attention of a tot. Colors need to dazzle; sounds need to pop. Gary Kupper and Rose Caiola's "Freckleface Strawberry: The Musical" does all of this and then some.

SOURCE: Backstage at 05:58PM

I Got Fired by Cindy Pierre

Despite a few flaws, this semi-autobiographical musical about losing a job is funny and well executed.

SOURCE: Backstage at 05:58PM

Born of Conviction by Cindy Pierre

Kathryn Dickinson's earnest but lackluster new play has powerful subject matter but not enough conviction.

SOURCE: Backstage at 05:58PM

Juneteenth Blues Cabaret by Cindy Pierre

Powerhouse Jannie Jones hits all the right notes and steps in this splendid musical celebrating the legacies of five blues divas.

SOURCE: Backstage at 05:58PM

The Last Castrato by Cindy Pierre

Inspired by true events, this heartbreaking tale of the decline of the castrati in late-19th-century Rome is beautifully staged and passionately performed, though hampered by some one-dimens…

SOURCE: Backstage at 05:58PM

Psychomachia by Cindy Pierre

Despite a sluggish start and an occasionally overwrought plot, Jennifer Lane’s compelling tale depicts unbearable loss and confusion in fresh and poignant ways.

SOURCE: Backstage at 05:58PM

NY Review: 'Black Nativity Now: A Gospel Celebration' by Cindy Pierre

This high-energy gospel fest tries to tell the story of the birth of Christ in a creative way, but its overambition crams the spectrum of the black cultural experience into 75 minutes and le…

SOURCE: Backstage at 05:58PM

Freedom Club by Cindy Pierre

The first act of this satire on American political extremism sizzles and is as irreverent as "Bloody Bloody Andrew Jackson," but the fire is soon snuffed out in Act 2.

SOURCE: Backstage at 05:58PM

Too Late! (antigone) contest #2 by Cindy Pierre

Two actors pick up where Sophocles'' "Antigone" left off, in a stimulating and innovative theatrical experience that deconstructs the power contests of the play and applies them to father-so…

SOURCE: Backstage at 05:58PM
Wednesday, March 13, 2013

New York Opera Review: OTELLO (Metropolitan Opera) by Cindy Pierre

AN OPERATIC DEATH IN VENICE A storm blackens the skies, casting a shadow on the land.  The citizens and soldiers of Venice sway with anticipation, waiting for their mighty general to triump…

SOURCE: Stage and Cinema at 10:49PM
Monday, March 11, 2013

Off-Off-Broadway Theater Review: EASTER (August Strindberg Repertory Theatre) by Cindy Pierre

NO RESURRECTION HERE While the snow is thawing and the flowers are getting ready to shoot out of the soil, the August Strindberg Repertory Theatre, a newly-formed company that’s dedica…

SOURCE: Stage and Cinema at 09:41PM
Tuesday, January 29, 2013

New York Opera Review: Rigoletto (Metropolitan Opera) by Cindy Pierre

A GAMBLE WHICH DOESN’T ALWAYS PAY OFF Flashing, fluorescent lights, glitzy blazers, showgirls galore, and an immodest display of drama and decadence are the background for… wait…

SOURCE: Stage and Cinema at 07:41PM
Monday, January 14, 2013

Off-Broadway Theater Review: SOLDIER SONGS (Schimmel Center for the Arts) by Cindy Pierre

ASSAULTED If you’re looking to experience the shell shock and the trauma that soldiers undergo during wartime and its aftermath, then head on down to the Michael Schimmel Center for th…

SOURCE: Stage and Cinema at 09:57PM
Friday, January 11, 2013

Off-Off-Broadway/Regional Theater Review: SOMETHING’S GOT AHOLD OF MY HEART (La MaMa) by Cindy Pierre

THE MANY FACES OF LOVE Even before you walk into the First Floor Theatre at La Mama to attend Something’s Got Ahold of My Heart, creators Hand2Mouth ensemble are already selling you a …

SOURCE: Stage and Cinema at 02:30PM
Tuesday, January 8, 2013

Off-Broadway Theater Review: WATER BY THE SPOONFUL (Second Stage) by Cindy Pierre

A POWERFUL WATER BY THE SPOONFUL CONTAINS CONFUSION BY THE CUPFUL Quiara Alegria Hudes’ 2012 Pulitzer-Prize winning Water by the Spoonful is a bold and provocative drama that uses cybe…

SOURCE: Stage and Cinema at 08:30PM
Friday, December 21, 2012

New York Opera Review: The Barber of Seville (Metropolitan Opera) by Cindy Pierre

THE ENGLISH TRANSLATION MAY LACK RHYTHM, BUT THIS IS ONE HILARIOUS AND UPLIFTING BARBER If you’re looking to usher in the Holiday season with some good entertainment, then look no furt…

SOURCE: Stage and Cinema at 09:54PM
Thursday, December 13, 2012

Off-Broadway Theater Review: 13 THINGS ABOUT ED CARPOLOTTI (59E59 Theaters) by Cindy Pierre

A PENNY’S WORTH In the mood for some light-hearted, endearing entertainment that will make your face and heart smile?  Then get yourself a ticket to Barry Kleinbort’s (direction, bo…

SOURCE: Stage and Cinema at 06:15PM
Monday, December 10, 2012

Broadway Theater Review: THE ANARCHIST (John Golden Theatre) by Cindy Pierre

UNFULFILLED WANTS David Mamet’s latest dramatic work, The Anarchist, begins as abruptly as it ends, but despite the jarring effects, there is a good reason for the sharpness of these m…

SOURCE: Stage and Cinema at 08:41PM
Thursday, November 29, 2012

New York Opera Review: DON GIOVANNI (Metropolitan Opera) by Cindy Pierre

EXHAUSTING BUT ENJOYABLE LUST You’ll have to suspend disbelief, endure belaboring, and excuse doltish behavior to enjoy the Metropolitan Opera’s production of Don Giovanni, but o…

SOURCE: Stage and Cinema at 05:16PM
Tuesday, November 27, 2012

Off-Broadway Theater Review: THE BOSS (The Metropolitan Playhouse) by Cindy Pierre

REIGNING SUPREME! Monay, Monay, Monay, Monay, MONAY! If the seemingly heartless Irish tycoon Michael R. Regan (a fantastic Dave Hanson) had a theme song in the beginning of Edward Sheldon’…

SOURCE: Stage and Cinema at 05:49PM
Sunday, November 18, 2012

Off-Broadway Theater Review: THE GOOD MOTHER (The New Group) by Cindy Pierre

A BIG YARN AND A BIGGER YAWN In theory and concept, Francine Volpe’s The Good Mother has all the fixins’ for a juicy, if not compelling drama: diverse, colorful characters, goofy…

SOURCE: Stage and Cinema at 05:05PM
Tuesday, October 23, 2012

Off-Broadway Theater Review: THE FREEDOM OF THE CITY (Irish Repertory Theatre) by Cindy Pierre

A BLOODY GOOD TIME Bloody Sunday is a 1972 incident in Derry, Northern Ireland, during which 13 civil rights protestors and bystanders were shot and killed by the British Army. Although the …

SOURCE: Stage and Cinema at 04:54PM
Wednesday, August 15, 2012

Off-Off-Broadway Theater Review: THE PARTICULARS (The Studio at Cherry Lane) by Cindy Pierre

THE LONG AND SHORT OF IT Unless the overview of a story is grossly inadequate, people seldom ask for both the summary and details.  Presented as two monologues on a sparsely furnished stage…

SOURCE: Stage and Cinema at 09:28PM
Sunday, June 19, 2011

Musical Theater Review: SPIDER-MAN: TURN OFF THE DARK (N.Y.C. – Broadway) by Cindy Pierre

SPIDER-MAN 2.NO By now, you’ve probably read at least a portion if not all of the hoopla that surrounds Spider-man: Turn Off the Dark, originally helmed by book writer and director Jul…

SOURCE: Stage and Cinema at 06:04PM

All that Chat

2023-2024 BROADWAY SEASON
May 30, 2023: Grey House - Lyceum Theatre
Jun 26, 2023: Just For Us - Hudson Theatre
Jul 24, 2023: The Cottage - Hayes Theater
Nov 16, 2023: Spamalot - St. James Theatre
Dec 18, 2023: Appropriate - Hayes Theater
Mar 07, 2024: Doubt - Todd Haimes Theatre
Apr 14, 2024: Lempicka - Longacre Theatre
Apr 17, 2024: The Wiz - Marquis Theatre
Apr 18, 2024: Suffs - Music Box Theatre
Apr 25, 2024: Mother Play - Hayes Theater
Jun 10, 2024: The Drama Desk Awards