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JIM DALE: SCROOGED, POTTERED, KNIGHTED AND NOMINATED

by ELLIS NASSOUR

Jim Dale is jumping for joy. Literally. He rushes from the single digit temperatures and Artic winds along 34th Street into the warmth of his Theater at Madison Square Garden dressing room and shakes himself down. It may be downright frigid outside, but Dale is filled with holiday warmth and having a Dickens of a time. Even if he is playing that bah-humbug of a scoundrel Scrooge in the musical adaptation of A Christmas Carol.

�Can you believe how popular this show is?� he asks. He�s just been told by the company manager that in spite of the [December 5] blizzard the show is sold out and the house is full.

ACC, in addition to being an earful [favorites are �A Place Called Home� and �Nothing To Do with Me�], is quite an eye full. The Victorian-era costumes are elegant and colorful and must have cost a fortune. But the real deal is Tony Walton's 350� set of a very picturesque London. It must be the biggest set ever assembled, and, like an Advent calendar, elements open to reveal scenes within scenes.

If the advertising is correct and this is the 10th and final year for ACC by Alan Menken, Lynn Ahrens with a book by Ahrens and the late Ockrent [who also was the original director], Dale will, on December 27, be the last of a list of impressive Scrooges that have included Tony Randall, Roger Daltrey, Frank Langella and Academy Award-winner F. Murray Abraham.

Dale, however, is the first Sir to play the role. �I�m not a sir!� he corrects, after being honored in November by Queen Elizabeth. �It�s an M.B.E. [Member of the Order of the British Empire]. I was saluted by Her Majesty for being a member of the British Empire! You don�t have to bow or kiss my ring � unless you wish to. That�s your prerogative. It was quite a wonderful thrill. Now I can put those initials on my note paper, calling cards, even on rolls of my toilet tissue. You know, Her Majesty is quite considerate. She not only sent photos but also a video! That should be memorable, because I made the Queen laugh � out loud.�

He quickly adds, �Seriously, to be among the nearly one thousand chosen by Her Majesty from every nationality throughout the world, is, indeed, a great honor.�
The line of those before the Queen receiving knighthoods and titles was about 200, �so the norm for each individual is ten seconds. Of course, if she really likes you, you get about twelve seconds.�

If not exactly old friends, Dale and Her Majesty are well acquainted since Dale appeared before her and met her after a [1973] Royal Command Performance [when he was starring with Millicent Martin on the West End in Sir Cameron Macintosh�s first musical production, The Card].

�Even though we�d met,� says Dale, �you do have to wait to be spoken to, and she asked, �What have you been promoting in the America?� I told her about creating all the voices for the Harry Potter audio books. She asked, �How many voices do you do?� And I told her one hundred and thirty-four and she let out a great roar of laughter. My son Toby was in the audience and I could her him tell my son Adam that I made the Queen laugh.�

The Queen didn�t say, but she probably also knows Dale from his appearances in the long popular Carry On� movie series as well as his stage roles, which most recently included Fagin in a revival of Oliver!

It�s been quite a year for Dale. Not only was he Drama Desk-nominated for his performance in the hit Off Broadway revival of Comedians, but he�s just been nominated for a Grammy Award, in the Best Children's Audio Book category, for Harry Potter and the Order of the Phoenix. This is his third Grammy nomination. Dale won a 2000 Grammy in that category for Harry Potter and the Goblet of Fire.

Dale, in addition to being a multiple Tony and Drama Desk-nominee has also been nominated in an Academy Awards category one might not associate him with: Best Song, for his title tune Georgy Girl. A prolific tunesmith, Dale�s written hundreds of songs.

Scrooge in ACC is a good fit for Dale. �I�m bringing to the character what Dickens would have wanted had he musicalized it � someone who�s been brought up in the tradition of the English music halls, which would not only include musical theater but also pantomine. This is, after all, A Christmas Carol, The Musical, and that implies that you have to present it in a different way.�

That "way" allowed Tony-winning choreographer/director Susan Stroman [who was married to Ockrent] the leeway to compete, in a manner of speaking, with the great Christmas prize, the Radio City Music Hall Christmas Spectacular starring the Rockettes. In ACC, there are the �Carolettes,� not quite the long line of leggy dancers as Uptown but they are an impressive ten tappers and singers.

Dale says he does not play Scrooge as a clown but as a serious character. �Going with Dickens� own words about Scrooge � �steaming, scraping, scheming, cold as ice inside.� When he sings: �People wanting this/People wanting that/Spreading bloody cheer/Plucking at your sleeve/Holding out the hand/Singing in your ear/Well, you can take Christmas and stuff it with bread,� you must make the audience believe that he a real bah-humbug. You go through that negative thread in order to realistically make him melt for the finale � forever changed by revelations by the various ghosts of Christmas into a loving human being.�

Except for 30 seconds, Dale�s onstage the entire 90 minutes. �With two, three and four shows a day, I�m blessed to be appearing with a fantastic company. They look after me and I look after them. They�re a jolly good bunch! And we all better be good and ready. We have five thousand folks to please at every performance. [Tickets are $35-$99.]

Dale almost didn�t make the Sunday, December 7, performances. Earlier, he fell on a metal setpiece and, it was revealed that he had a hairline fracture on one of the ribs. Until about five minutes before the curtain, he wasn�t certain he could go on and sing. But, trouper that he is, he carried on.

Dale began training for his orbit at age nine, studying tap, ballet, acrobatics and martial arts. In his early teens, he was already a veteran of amateur shows. After service in the Royal Air Force, where he entertained troops, he became a successful pop singer. In his 20s, he was hosting the top British TV rock �n roll show. The legendary George Martin of Beatles fame took him on to produce his records. In 1966, Dale was �quite taken by surprise� when he was invited to do Shakespeare at the Edinburgh Festival.

Four years later, at the personal request of Laurence Olivier, he joined the British National Theatre and played leads in a host of classics. From there, he went to the Young Vic, where he first played the title role in Scapino, which he co-adapted with Frank Dunlop. That led to movies and the West End and, in 1974, to Broadway where Scapino became one of the season�s biggest hits.

It�s been non-stop movies, TV and stage roles here and over there since. Dale�s received his share of theatrical accolades: 1975 Tony and Drama Desk Award nominations and the Outer Critics Circle Award for Best Actor for Scapino; 1989 Tony and Drama Desk Awards for Best Actor in a Musical, Barnum; 1985 Tony nomination for Best Actor and the Outer Critics Circle Award for Best Actor, Joe Egg; 1995 Drama Desk and Outer Critics Circle Awards, Best Actor, Travels with My Aunt; and a 1997 Tony nomination for Best Actor, Musical, the Candide revival.

Dale�s been through it all. �I�ve always said I�d rather stay out of work than do crap. Unfortunately, that�s often been the case. I�ve been sent up for a lot of much crap and I won�t touch it with a ten foot pole. It won�t bring me any good. I�d like those kind folks who�ve followed me for years and years wherever I�ve gone to always be proud.�

He does admit there was one job he was less than pleased with, the Hal Prince-directed Candide revival. �Basically, I wasn�t being me but being asked to fill someone else�s shoes. That was frustrating.�

He says he can�t look back on anything he�s done and say it wasn�t quality. �That�s why I chose what I did and surrounded myself with the best people. And it couldn�t get any better than it was with Comedians [which also starred Raul Esparza].�


Published on BroadwayStars.com on Wednesday, December 10, 2003
[Link to this Feature]



Ellis Nassour is an international media journalist, and author of Honky Tonk Angel: The Intimate Story of Patsy Cline, which he has adapted into a musical for the stage. Visit www.patsyclinehta.com.
For a listing of all features written by Ellis, click here.


     
BROADWAYSTAR'S FIVE DAY FORECAST


2007-08
Broadway Season

June 28 - Old Acquaintance (AA)

July 10 - Xanadu (Hayes) [Robert Ahrens, Dan Vickery, Tara Smith/B. Swibel and Sarah Murchison/Dale Smith]

Aug 19 - Grease (Atkinson)

Oct 4 - Mauritius (Biltmore) [MTC]

Oct 11 - The Ritz (54)

Oct 18 - Pygmalion (AA)

Oct 25 - A Bronx Tale (Kerr)

Nov 1 - Cyrano de Bergerac (Rodgers)

Nov 4 - Rock 'N' Roll (Jacobs)

Nov 8 - Young Frankenstein (Hilton)

Nov 9 - Dr. Seuss' How the Grinch Stole Christmas! (St. James)

Nov 10: Local One Strike Begins

Nov 28: Local One Strike Ends

Dec 2 - Cymbeline (Beaumont)

Dec 3 - The Farnsworth Invention (Music Box) [Dodger Properties with Steven Spielberg, Dan Cap Productions, Fred Zollo, Latitude Link and the Pelican Group]

Dec 4 - August: Osage County (Imperial) [Jeffrey Richards, Jean Doumanian, Steve Traxler, Jerry Frankel, Steppenwolf]

Dec 6 - The Seafarer (Booth)

Dec 9 - Is He Dead? (Lyceum)

Dec 16 - The Homecoming (Cort) [Richards, Frankel]

Jan 10 - The Little Mermaid (Lunt)

Jan 15 - The 39 Steps (AA)

Jan 17 - November (Barrymore)

Jan 24 - Come Back, Little Sheba (Biltmore)

Feb 21 - Sunday In The Park With George (54)

Feb 28 - Passing Strange (Belasco)

Mar 6 - Cat on a Hot Tin Roof (Broadhurst) [Stephen C. Byrd]

Mar 9 - In The Heights (Rodgers)

Mar 27 - Gypsy (St. James)

Mar 29 - Macbeth (Lyceum)

Apr 3 - South Pacific (Beaumont)

Apr 17 - A Catered Affair (Kerr) [Jujamcyn Theaters, Jordan Roth, Harvey Entertainment / Ron Fierstein, Richie Jackson and Daryl Roth]

Apr 24 - Cry Baby (Marquis)

Apr 27 - The Country Girl (Jacobs)

Apr 30 - Thurgood (Booth)

May 1 - Les Liaisons Dangereuses (AA)

May 4 - Boeing-Boeing (Longacre)

May 7 - Top Girls (Biltmore)

TBA - Godspell

2008-09
Broadway Season

Oct 16 - Billy Elliot (Imperial)

Nov 08 - Dividing the Estate (a Shubert theater)

Dec 14 - Shrek: The Musical (Broadway) [DreamWorks]

Talked About
Not Scheduled Yet

TBA - 50 Words

TBA - Addams Family (Elephant Eye)

TBA - American Buffalo

TBA - An American Vaudeville [Farrell, Perloff]

TBA - The Beard of Avon [NYTW]

TBA - Being There [Permut]

TBA - Benny & Joon [MGM]

TBA - Billy Elliot

TBA - Brave New World [Rachunow]

TBA - Breath of Life [Fox]

TBA - Busker Alley [Margot Astrachan, Robert Blume, Kristine Lewis, Jamie Fox, Joanna Kerry & Heather Duke]

TBA - Broomhilda

TBA - Bye Bye Birdie [Niko]

TBA - Camille Claudel [Wildhorn]

TBA - Camelot

TBA - Carmen [Robin DeLevita and The Firm]

TBA - Catch Me If You Can

TBA - Crouching Tiger, Hidden Dragon [Bob and Harvey Weinstein]

TBA - Cry Baby [Grazer, Gordon, McAllister, Epstein]

TBA - Designing Women [Alexis]

TBA - Don Juan DeMarco [New Line]

TBA - Dreamgirls [Creative Battery]

TBA - Duet

TBA - Equus

TBA - Ever After [Adam Epstein]

TBA - Fallen Angels (Shubert) [Kenwright]

TBA - Farragut North [Richards]

TBA - Father of the Bride

TBA - The Female Of The Species (TBA)

TBA - Fool For Love (AA) [Roundabout]

TBA - Girl Group Time Travelers

TBA - Golden Boy

TBA - Harmony [Guiles, Karslake, Smith, Fishman]

TBA - Hitchcock Blonde

TBA - The Importance Of Being Earnest

TBA - Jerry Springer: The Opera! [Thoday, McKeown]

TBA - Jesus Hopped The 'A' Train (Circle)

TBA - Josephine [Waissman]

TBA - Leap of Faith

TBA - A Little Princess [Ettinger, Dodger]

TBA - Midnight Cowboy [MGM]

TBA - The Minstrel Show - Kander and Ebb and Stroman

TBA - Moonstruck [Pittelman, Azenberg]

TBA - Mourning Becomes Electra [Haber, Boyett]

TBA - Monsoon Wedding

TBA - The Night of the Hunter

TBA - The Opposite of Sex [Namco]

TBA - Orphans

TBA - Pal Joey [Platt]

TBA - Paper Doll

TBA - The Paris Letter

TBA - The Philadelphia Story

TBA - Peter Pan

TBA - Porgy and Bess [Frankel, Viertel, Baruch, Routh, Panter, Tulchin/Bartner]

TBA - The Adventures of Priscilla Queen of the Desert

TBA - The Princess Bride

TBA - Princesses [Lane, Comley]

TBA - Poe the Musical

TBA - Rain Man [MGM]

TBA - Robin Hood

TBA - Secondhand Lions

TBA - South Pacific

TBA - Speed-the-Plow

TBA - Stalag 17

TBA - Starry Messenger

TBA - Syncopation

TBA - A Tale Of Two Cities

TBA - Torch Song Trilogy

TBA - Turn of the Century

TBA - West Side Story

TBA - The Wall [Weinstein, Mottola, Waters]

TBA - Will Rogers Follies [Cossette]

TBA - The Wiz [Dodger]

TBA - Zanna [Dalgleish]

This list is compiled from various sources. If you have corrections to the Broadway Season, please contact us.

 
   


Tim Dunleavy  |  James Marino  |  Matthew Murray  |  Ellis Nassour  |  Michael Portantiere
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