June 2009 Archives


The three hours and four minutes of the 63rd Annual Tony Awards on TV, courtesy of CBS, was crammed with spectacular musical numbers from the nominated shows, revivals and three touring shows. But what you didn't see were some short videos which kept the Radio City Music Hall audience entertained during the endless round of commercials that help put the show on the air.

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There was a preview video of shows coming to Broadway next season, such as Andrew Lippa and [Jersey Boys] Marshall Brickman and Rick Elice's The Adams Family, starring Nathan Lane and Bebe Neuwirth and which is set to open in April with direction and design by Phelm McDermott and choreography by Sergio Trujillo; and, arriving from Seattle, the revue about the birth of rock 'n' roll in Memphis, which will rock the Shubert beginning in early Fall.

Jerry Lee Lewis, Carl Perkins, Elvis and Johnny Cash, or the characters portraying them, performed songs from Million Dollar Quartet, the revue that memorializes a 1956 Memphis jam session put together by Sun Records producer Sam Phillips. The show premiered in Seattle and is currently a hit in Chicago.

The video that got the most response was the one of the cast members from Shrek: The Musical in costume auditioning for their roles, but auditioning and singing quite inappropriate songs in such a way that they would have never gotten the roles.

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Then there were the hilarious Times Square auditions, taped especially for the Tonys, that featured the Naked Cowboy, placard-carrying hawkers promoting shows, tourists and denizens around the TKTS booth.

Another video sequence showed TV commercials of such past Broadway shows as the acclaimed 1992 Guys and Dolls revival, the 1980 West Side Story revival, Timbuktu, which starred a preening, purring Eartha Kitt and the 1997 Hair revival.

There were also two drawings for lucky audience members who won classic Swiss jeweled Audemars Piguet watches worth several thousand dollars. It was unknown if bodyguards were provided to protect them on the way home.


Tony Ratings Bump

Mr. Charm, host Neil Patrick Harris, brought some good vibes and good luck to the telecast. He and, no doubt the spectacular 11-minute opening production number of excerpts from nominated musicals and revivals and the hoopla surrounding Hair, broke the decade-long decline in ratings by posting the highest Neilsens since the 2006 hostless broadcast.

CBS was handsomely rewarded for network chief Les Mooves' loyalty to the Tonys; however it wasn't quite as huge a bum as poor Bret Michaels suffered, but the telecast posted a double digit percentage gains in viewers and key demographics over last year. It was the best showing since 2006 and an increase of nearly 20% over last year's broadcast. TonyAwards.com, in partnership with IBM, reported that website traffic was up by 57% on Tony night.

Over 1,000 people gathered in Times Square for the first ever live Tony simulcast on the jumbo ClearChannel Spectacolor HD Screen. That event, in partnership with the Times Square Alliance and the City of New York, was hosted by WCBS anchor Katie McGee, and four-time Tony nom Tovah Feldshuh. Unlike viewers at home, they got to see the presentation of the 11 Creative Art Awards.

There was some contention that a couple of those awards, such as Book and Choreography, would have been better served on the actual telecast by trimming some of the tour musical numbers. Of course, one of the goals of the Tonys is not only to fill Broadway seats but also seats on the road and regionally.

Check out the winners of the Tony Award photo contest at TonyAwards.com.


WSS Signing and Performance

Cast members of the Tony and Drama Desk-nominated hit revival of West Side Story, fresh from being outstandingly showcased on the Tony Awards, will be performing live on Thursday and signing the just released cast Sony Masterworks Broadway CD at Barnes & Noble, Lincoln Triangle [Broadway and 66th Street]. Among the stars onhand at 4:30 will be Matt Cavenaugh, Josefina Scaglione, Karen Olivo, Cody Green, George Akram and Curtis Holbrook. Seating is limited, so arrive early.


She's Back, but Not Rita Anymore

Let Quinn Lemley entertain you and you'll have a real good time. After her hit tour as Rita Hayworth in The Heat Is On, the ab fab Lemley returns to NYC and B.B. King's launching a new Vegas-style show, Got to Get a Gimmick: Burlesque to Broadway, on Wednesday, one night only at B. B. King's Times Square club.

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The vivacious, sizzling Lemley, soon to be seen opposite Bette Midler and Nora Jones in The Greatest Ears In Town - The Arif Mardin Story [based on the life of the legendary music producer], is "an innocent mid-western girl who comes to New York seeking fame and fortune and discovers her gimmick through the world and music of burlesque."

Lemley co-wrote the show, "inspired by the outrageous Gypsy Rose Lee, other icons of burlesque, Ziegfeld's Follies with a little Bette Midler for good measure," which she's been developing over the last year.

She says, "It's high-energy, fast-paced and, of course, sexy. It's very demanding in terms of choreography and musical numbers. There's plenty of humor, too. Audiences have been very responsive and I'm hoping lightning will strike twice at B.B. King's , where I had incredible audience for The Heat Is On."

Some of the songs Hep Cat recording artist Lemley performs in the two-act revue are "The Stripper," "Let Me Entertain You," "Zip," "If You've Got It, Flaunt It!" - "a quartet of songs," she says, "that are apt for this show" - "Big Spender," "Ten Cents a Dance," "My Heart Belongs to Daddy," "You Don't Own Me," "Girls Night Out," "She's a Lady" and, of course, "You Gotta Get a Gimmick."

Jamie Jackson, who appeared in the national tour of Dirty Rotten Scoundrels, is the everyman burlyque comic. Gina Marie Trello and Elaine Hayhearst are the additional beautiful girls wearing sequins, feathers and not much else. Thom Garvey directs, with choreogrpahy by Jill Gorre. David Epstein music directs a nine-piece orchestra.

Ticket are $30 [no minimum required] and are available at the B.B. King box office, TicketMaster locations, by phone at (212) 307-7171 or at www.ticketmaster.com. Doors open at 6 P.M., for dinner and drinks. Showtime is 8. For more information, visit www.gottagetagimmick.com.


Marilyn Salutes Johnny Mercer

After engineering one of the most exciting late-career surges ever, the unstoppable Marilyn Maye returns to the Metropolitan Room in Mercer: the Maye Way on Friday at 7:30 P.M. for nine shows, paying tribute to one of her greatest influences, lyricist Johnny Mercer. Tedd Firth leads Miss Maye's three-piece combo that includes Jim Eklof [her drummer for more than 40 years] and Tom Hubbard on bass.

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"Johnny's contributions to the Great American Songbook and the American vernacular," says Miss Maye, "are so seminal as to seem ingrained in our collective unconscious. On the centenary of his birth, I wanted to celebrate his prolific gift for artfully encapsulating so much with seemingly so little."

Miss Maye has won two consecutive Nightlife Awards for Outstanding Cabaret Vocalist in a Major Engagement, a Back Stage Bistro Award for Lifetime Achievement and a MAC Celebrity Award. She's also the subject of a documentary by Beck Lee.

During the first phase of her career, where she became Johnny Carson's favorite singer [appearing on The Tonight Show76 times!], Miss Maye was nominated for a 1965 Best New Artist Grammy. She had seven RCA albums and 34 singles; and was first to introduce numerous showtunes, including "Cabaret," "Step to the Rear," "Sherry" and "If My Friends Could See Me Now." Her recording of "Too Late Now" was selected by the Smithsonian as one of the 100 Best Recordings of the 20th century.

The cover for Mercer: the Maye Way is $30 plus two beverage minimum. For reservations, call (212) 206-0440 or go online at www.metropolitanroom.com.

Monday Is the New Saturday
Remember when Monday was the dark day of rest. Not any more.

Debbie Reynolds Wish Fulfilled

On Monday, legendary film star and Tony nominee Debbie Reynolds, currently wowin' 'em through June 27th at Cafe Carlyle, will take time to fulfill a lifelong dream - to become a Friar.

"In Hollywood, in the heyday of the L.A. branch of the Friars," says Miss Reynolds, "I was surrounded by Friars in the entertainment business. I even had a husband who was a Friar [Number Two, Harry Karl], so it was something I found very appealing."

There was a problem. At that time, the Friars didn't accept women. That changed in 1988, but the L.A. branch gradually faded into oblivion.

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Dean Freddie Roman, hearing of Miss Reynolds' wish, will be inducting her as an honorary Friar at the New York club on East 55th Street, where women are not only members but where several of them are anchors of the club. The occasion will be a luncheon, followed by an interview and audience Q&A. Friar Randie Levine Miller is producing. [Broadway Stars own Ellis Nassour will conduct the interview.]

From the late 50s into the late 60s, Debbie Reynolds was voted one of Hollywood's top stars. She has many claims to fame - playing opposite Gene Kelly and Donald O'Connor in Singin' in the Rain; being married to and famously divorced from Eddie Fisher; losing a fortune to pay off second husband Karl's gambling debts; surviving playing opposite Bette Davis in June Bride and The Catered Affair; and her recurring, Emmy-nominated role as Debra Messing's mother on sit-com Will and Grace.

Earlier she introduced the unsophisticated Mississippi bumpkin who falls in love in Tammy and the Bachelor [her recording of "Tammy" became an international hit]; and portrayed Sister Ann in The Singing Nun. Then there was her Oscar-nominated role in Meredith Wilson's The Unsinkable Molly Brown, which she toured regionally after it was adapted for the stage; her Tony-nominated Broadway debut in the 1973 revival of Irene; and a return to Broadway to replace Lauren Bacall in Woman of the Year.

And, as she proudly states in her show, "many of you will know me as the mother of Princess Leia," Carrie Fisher [who incidentally will be on Broadway, beginning in September, at Roundabout's Studio 54 starring in the stage adaptation of her book Wishful Drinking.]

To catch Miss Reynolds at Cafe Carlyle [35 East 76th Street at Madison Avenue], there's a cover charge [no minimum required]. For reservations, call (212) 744-1600 or visit www.thecarlyle.com. Show times are Tuesday-Thursday at 8:45 P.M. [$50-$100] and Friday at 8:45 and Saturday at 8:45 and 10:45 [$75-$150]. Gentlemen, jackets required.


All Hail the Queen

Fidelity Investments in partnership with the Tony and Drama Desk-winning Billy Elliot: the Musical, the Viertel/Frankel/Baruch/Routh Group, Learning through an Expanded Arts and Camp Broadway have lured entertainment icon Queen Latifah to host Monday's Fidelity FutureStage 2009 young playwrights finale at Broadway's Imperial Theatre, home of Billy Elliot. At 7:30 P.M., six student plays will premiere.

Participants from 10 NY/NJ schools submitted more than 500 ten-minute plays reflecting themes from Billy Elliot. The selection panel included David Henry Hwang, casting director Megan Larche and FutureStage finale director Michael Bush.

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"This is a fabulous, once-in-a-lifetime opportunity to become Broadway's youngest playwrights," said Queen Latifah. "I'm so happy to help them celebrate a night they'll always remember."

The winning play will be selected by the Tony and DD-winning Billy Elliot team of book writer Lee Hall, producer Jon Finn, resident director B.T. McNicholl and the show's co-star Gregory Jbara (Dad). The plays will be published by Samuel French.

Fidelity FutureStage is in its third year of bringing theater to 600+ students in inner-city schools. The year-long curriculum affords students the opportunity to learn from playwrights, directors, designers, actors and experience their work being performed on a professional stage.

Among the artists lending support are Charles Dutton, Raúl Esparza, William Ivey Long, Kathleen Marshall, Alan Menken, Lin-Manuel Miranda, Chazz Palmintari, David Hyde Pierce, David Strathairn, Charles Strouse and Jerry Zaks.

For more information, visit www.FutureStage.com.


Broadway: 39 Years Ago

Town Hall will present songs from Applause, Company, Minnie's Boys, Purlie, The Rothschilds, Two by Two and many more shows as Broadway Musicals of 1970, created, written and hosted by Scott Siegel [Broadway Unplugged], takes the T.H. stage Monday at 8 P.M. The concert concludes the acclaimed series' ninth season.

Directing, choreographing and co-starring will be Jeffry Denman. Other artists include Nightlife and MAC Award winner Scott Coulter, Darius de Haas, Stephen DeRosa, Tony-nom Melissa Errico, Cheryl Freeman, tap dancer extraordinaire Kendrick Jones, Sahr Ngaujah, Christiane Noll, Meredith Patterson, Martin Vidnovic and Max von Essen. Ross Patterson is musical director, conducting his Little Big Band.

"The music from Broadway circa 1970 is one of the great collections of show tunes from any of the later years," said Siegel. "We intend to bring it back to life, and we've assembled the cast that can do it and put on a spectacular show."

Tickets are $45 and $50 and available at the Town Hall box office, online at www.ticketmaster.com or by calling (212) 307-4100. BBTY is supported by Bank of America and the Edythe Kenner Foundation. For more information, visit
www.the-townhall-nyc.org


Hootenanny For A Jolly Good Fellow!

A varied, star-studded roster of artists will gather Monday at Carnegie Hall in a birthday salute Broadway legend and social justice advocate Theodore Bikel, veteran concert and recording artist and the original Captain Von Trapp in Rodgers and Hammerstein's The Sound of Music. Proceeds from Theodore Bikel: The First 85 Years will benefit the Juvenile Law Center, the non-profit law firm dedicated to the child welfare and juvenile justice.

Honorary committee co-chairs include Barbara Cook, Frank Langella, Pete Seeger and Elie Wiesel. Onstage will be Alan Alda, David Amram, Beyond the Pale, Artie Butler, Patricia Conolly, Arlo Guthrie, Rosemary Harris, Judy Kaye, Tom Paxton, Serendipity 4 [featuring Mr. Bikel], Noel Paul Stookey and Peter Yarrow [of Peter, Paul and Mary].

Bikel, an unrelenting advocate for peace, human rights, and social justice for more than 50 years. "I've allied myself with others whose use guitars, banjos, fiddles and words to conquer fear and injustice," he said. "There's no better way to celebrate my life than with a night of music with some of my dearest friends, and no more deserving a use than protecting the rights of our nation's most vulnerable children."

He made his Carnegie Hall debut in 1956 and went on to forge an extraordinary career as a musician, actor and activist. Stage/screen credits include The African Queen and the groundbreaking The Defiant Ones . He's performed Fiddler on the Roof's Tevye more than 2,000 times and currently stars in a
tour of Sholom Aleichem: Laughter through Tears.

Tickets are $30-$500 and available at the Carnegie Hall box office or online at www.jlc.org./bikel. The high-end ticket affords attendance at the pre-show VIP
reception.


Checkmate Triangle

Tim Rice, Benny Andersson and Björn Ulvaeus' 1986 cult musical Chess and its recent spectacular concert staging at London's Royal Albert Hall will be presented on PBS' Great Performances June 17 at 8 P.M. Among the stars are Josh Groban, Idina Menzel and Adam Pascal. The musical's rich score includes "I Know Him So Well," "One Night in Bangkok" and "The Anthem." The concert will be broadcast in HD and 5.1 digital surround sound. David Firman music directs the 50-piece City of London Philharmonic and the 100-voice West End Chorus.

The musical, set against the U.S./Soviet Union cold war and an East/West chess championship, is the story of the romantic triangle that develops between Anatoly, the Russian [Groban] and Freddie, the American [Pascal], competitors and Florence [Menzel], who manages one and falls in love with the other.

Andersson and Ulvaeus are part of ABBA and Rice, of course, is lyricist for Jesus Christ Superstar and Evita.

Reprise is releasing Chess in Concert as a two-CD set, a single audio CD and DVD. A three-disc Special Edition, which includes the CD set and DVD, is available exclusively through Groban's website, www.joshgroban.com, his official fan site www.friendsofjoshgroban.com, and Menzel's www.idinamenzel.com. The limited-edition package includes the performance, full-color booklet with photos and synopsis by Rice, sheet music for "Anthem" and "I Know Him So Well," plus an MP3 download of the two-CD audio content.

Chess in Concert is a co-production of THIRTEEN, Reprise Records and Peppermint Pictures, in association with Rice's production company, Heartaches Ltd. David Horn directed the May, 2008 taping, staged by Hugh Wooldridge. Great Performances is funded by the Irene Diamond Fund, the National Endowment for the Arts, Vivian Milstein, the Corporation for Public Broadcasting, PBS and viewers like you.

Check out the THIRTEEN interview with Josh Groban:
>http://www.pbs.org/wnet/gperf/episodes/chess-in-concert/interview-with-josh-groban/785/<

To view the Chess trailer:
>http://link.brightcove.com/services/player/bcpid4020141001/?bctid=ref:A10302B00008738924<


Ease On Over to City Center

Encores! Summer Stars production of The Wiz, the 1974 rock and soul musical, starring Top 10 recording artist Ashanti, making her stage debut as Dorothy, begins performances Friday through July 5 at City Center. The show has music and lyrics by the late Charlie Smalls and book by William Brown. Easing down the road to Oz with Dorothy in the 30-member cast are LaChanze and Orlando Jones.

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The musical, based on the L. Frank Baum classic, has a creative team head by Tony and DD-winning In the Heights Thomas Kail [director], Andy Blankenbuehler [choreography] and Alex Lacamoire [music director]. Sets are by David Korins; costumes by Paul Tazewell. The show's using Harold Wheeler's original orchestrations.

The original production, starring Stephanie Mills, was directed by Geoffrey Holder and choreographed by George Faison and won seven Tonys, including Musical, Score and Choreography.

Tickets are $25-$110 and available at the City Center box office, through CityTix at (212) 581-1212 or online at www.nycitycenter.org.


Harry and Rudi Are Back - In a Larger Venue

MAN underdog Productions and Daryl Roth have moved Jon Marans' Temperamentals, after its sold-out run in a 40-seat venue, for a four week run in the larger TBG Theater [312 West 36 Street Third floor, between Eighth and Ninth Avenues]. Thomas Jay Ryan as Communist rabblerouser/gay activist Harry Hay and Michael Urie [Ugly Betty] as long-time partner Viennese fashion designer Rudi Gernreich head the cast of five in this true story of the struggle to create the Mattachine Society, the first gay rights organization. Keen Company resident director Jonathan Silverstein helms.

"Temperamental" was a code word for homosexual in the early 1950s, part of an underground language gays used to communicate.

Marans' Old Wicked Songs, produced Off Bway, on the West End and in over a dozen countries, was a 1996 Pulitzer Prize finalist and winner of numerous awards.

Tickets are $50 and available through Smarttix, online at www.smarttix.com or by phone at (212) 868-4444.


A Return to the Beach Boys

To coincide with Beach Boy songwriter/producer Brian Wilson's 67th birthday, on Saturday, June 20, at Don't Tell Mama at 7 P.M. Brian Gari performs his Brian Sings Wilson CD, featuring songs by the pop songwriter. In addition to accompany himself on electric guitar, Gari will use layered vocal and instrumental tracks to replicate the Beach Boys sound he created on the album. There's a $5 cover and two drink minimum. For reservations, call (212)757-0788


And Now for the Beacon

Among the honorees at Inside Broadway's Broadway Beacon Awards are Rock Of Ages Tony-nomed Constantine Maroulis, Tony and DD winner Laura Benanti and her husband Steven Pasquale [of Reasons to Be Pretty, which, sadly, closes Sunday, so catch it while you can!], multiple Tony and DD-nomed Judy Kuhn [BTW, one of the original stars of the Broadway Chess] and Loews Corp. VP and I. B. board member Alan Momeyer. The cocktails and performance event is Thursday, June 25 at 5:30 P.M. at the Players Club [16 Gramercy Park South, between Park Avenue and Irving Place]. Emceeing will be Fox 5 News entertainment reporter Julie Chang.

Kuhn will perform selections from her show Music from the Broadway Songbook and More. There'll also be a number by students from Brooklyn's JHS 278.

Individual tickets are $350 [$200 tax-deductible], with patron packages available. Contact Inside Broadway at (212) 245-0710 or online at www.insidebroadway.org.

Inside Broadway, which has introduced musical theatre to more than 750,000 children in the New York metro area in its 26-year history, presents annual awards to artist who support arts education. It presents 50-minute adaptations of musical theatre classics. I. B. receives funding from the NYC Department of Education, NY State Office of Children and Family Services and, among others, the NYC Department of Cultural Affairs.


More Rodgers and Hammerstein

Masterworks Broadway adds three more digital-only editions of Rodgers and Hammerstein classics to the roster available exclusively through ArkivMusic.com. They are the original cast recordings of Flower Drum Song ["I Enjoy Being a Girl," "Love, Look Away" and "A Hundred Million Miracles"], the 1964 revival cast recording of The King and I and a real collectors item, The Rodgers and Hammerstein Songbook in an expanded edition of the original compilation. The CDs have original cover art and liner notes.

The FDS CD contains six long-unavailable bonus tracks, all covers of the show's top songs by star Pat Suzuki and young Flo Henderson, who wasn't in the show. The show's exotic, racy "Fan Tan Fanny" number is rendered by Sandra Church, who was about to become part of Bway history as the original Louise/Gypsy Rose Lee.

The King and I, produced at Lincoln Center, starred Darren McGavin and opera legend Risë Stevens. There are five bonus tracks including opera star Robert Merrill ["A Puzzlement"], a duet of "I Have Dreamed" with soprano Patrice Munsel and Tony Martin and, from a studio recording, two-time Tony winner Richard Kiley ["Getting to Know You," "Hello, Young Lovers."

The gem here is the perennial best-seller The Rodgers and Hammerstein Songbook, originally compiled in 1993 to celebrate the 50th anniversary of the Rodgers and Hammerstein collaboration. The expanded edition adds songs from the original cast recordings including of Allegro, Cinderella, South Pacific and The Sound of Music , as well as revivals of Oklahoma!, Carousel and The King and I.

The CDs are $14 each. To purchase, visit www.ArkivMusic.com.


New to DVD

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Leonardo DiCaprio and Kate Winslet display amazing acting chops in the emotionally gripping Revolutionary Road [Paramount Home Entertainment; 118 minutes; HD; SRP, $20/$30 (Blu-ray)]. The acclaimed film, directed by Oscar winner Sam Mendes [American Beauty] and adapted from the best-seller by Richard Yates, was nominated for three Academy Awards and four Golden Globes.

This incisive portrait of a disintegrating 1950s marriage reunited DiCaprio and Winslet for the first time since Titanic. Winslet won her first Golden Globe for Best Performance, Actress, Motion Picture, Drama. Bonus material includes commentary by Mendes and screenwriter Justin Haythe, deleted scenesthe behind-the-scenes doc Lives of Quiet Desperation: The Making of Revolutionary Road. [The Blu-ray includes Richard Yates: The Wages of Truth.]


The Warner Bros. Archive Collection [www.WarnerArchive.com] has added 21 classic movie titles to its online service. They include the six-title Gary Cooper Collection [SRP $60] that spans a 17-year period and includes Saratoga Trunk and Bright Leaf [co-starring Lauren Bacall and Patricia Neal].

The Dick Powell/Ruby Keeler Collection [SRP $50] consists of three of the team's pairings, including Flirtation Walk, a 1934 Oscar nom for Best Picture, and Shipmates Forever, Powell center stage in Happiness Ahead and Keeler in her final major film appearance, Ready, Willing and Able.

Seven silent films are also debuting, including gems When a Man Loves, starring John Barrymore; and four classics starring the all-but-forgotten ace comedienne Marie Dressler, including Min and Bill [for which she earned a Best Actress Oscar]. Other titles include Dolores Costello and Warner Oland [the original Charlie Chan] in Old San Francisco and the original The Sea Hawk.


The excitement's building. Rentals of black tie have been exhausted. Harry Winston and Tiffany's are raiding their vaults for more diamond loanouts. Designers are still putting finishing touches on their gowns. The champagne's iced. Anticipation's bubbling. Nerves are at the breaking point. Broadway's main event is just days, hours away.

Yes, of course, that's the American Theatre Wing's 63rd Annual Tony Awards, to be broadcast live from Radio City Music Hall by CBS on Sunday from 8 P.M.-11 P.M.

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Neil Patrick Harris is rehearsing his big surprise 11:00 number. That would be Neil Patrick Harris, a.k.a. NPH - yes, Doogie Howser, M.D. all grown up now - who's hosting. The multiple Emmy and Golden Globe nominee is Tony's youngest host. He just wrapped another hit season as Barney Stintson on CBS' sit-com How I Met Your Mother.

Since his early teens, NPH's been a TV and movie staple. However, he's no novice onstage. He made his Bway debut during the run of Proof, went on to play the emcee in Roundabout's Cabaret revival, and appear in a 2001 Sweeney Todd... TV concert. Harris got props for his portrayal of Lee Harvey Oswald in Roundabout's revival of Sondheim's Assassins and for the movie Prop 8: The Musical. West Coast stage work includes Rent and All My Sons.

Many thought going with Harris, instead of a Hugh or Whoopie, was a wild card choice. However, with NPH's winning personality, wicked sense of humor and the fact that he's been known to have a lot of tricks - up his sleeve! [you know he's also a magician], he has the ability to add freshness to the proceedings and draw that social-networking audience.

There'll be enough A+-List smiles on the program to boost Con Ed's output for the long, hot summer. Providing backup will be presenters Lucie Arnaz, Kate Burton, Kristin Chenoweth, Jeff Daniels, Hope Davis, Edie Falco, Will Ferrell, Carrie Fisher, Jane Fonda, Hallie Foote, James Gandolfini, Lauren Graham, Marcia Gay Harden, Nicole Kidman, Anne Hathaway, Jessica Lange, Frank Langella, Angela Lansbury, Audra McDonald, David Hyde Pierce, Oliver Platt, Susan Sarandon, Kevin Spacey, John Stamos and, among others, Chandra Wilson.

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Entertainment will showcase performances from the Best Musical and Best Revival, Musical nominees, Dolly Parton and her 9 to 5 cast, Elton John, Liza Minnelli and the band Poison - plus numbers from three touring productions - Jersey Boys, Legally Blonde and Mamma Mia!

TonyAwards.com will present a live webcast of the creative awards presented before the telecast begins with Tony winners Laura Benanti and Brian Stokes Mitchelll hosting.

For the first time ever, the entire program will be simulcast live on Times Square's jumbo ClearChannel Spectacolor HD Screen from 7 P.M. There'll even be Tweetering, from Mark Indelicato [Ugly Betty], working with TonyAwards.com to do backstage and behind-the-scenes coverage. Follow the Tweeter at Twitter.com/TheTonyAwards.

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New this year is the Thank-you Cam, a live feed from the Music Hall wings to catch winners' immediate responses as they exit the stage. There's no planned No Thank-you cam to capture the disappointment os those just thrilled to be nominated.

TheatreMania.com editor-in-chief Brian Scott Lipton will blog from the press room, adding his unique and fun perspectives.

There's another first this season. Billy Elliot made history as the only show to have a trio of performers - David Alvarez, Trent Kowalik and Kiril Kulish - share the same role as a single nomination. There've been instances where more than one performer was considered jointly for a single nomination, as in 1998's brilliant, but short-lived Side Show where Next to Normal Best Actress nominee Alice Ripley shared a nomination with Emily Skinner, who played her Siamese twin.

BE, with 15 nominations, has matched the record set in 2001 by The Producers, which went on to win 12 trophies - also a record. Will Billy do as well? It seems to be the fav.

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In what's certainly a rare occasion, God of Carnage's entire cast - Jeff Daniels, Hope Davis, Marcia Gay Harden and James Gandolfini - received Tony nods in the Best Leading Actor/Actress, Play categories.

Angela Lansbury and Stockard Channing racked up their sixth Tony nom - Ms. Lansbury for her exuberant portrayal of psychic Madame Arcati in Blithe Spirit; Ms. Channing for her savvy, sexy Vera Simpson in Pal Joey. The recordholder is Julie Harris, with 10.

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Jane Fonda received her first Tony nom in 1960, for a featured role in the play There Was a Little Girl;and, after a 49-year gap, she's nominated again for her portrayal of an obsessed and dying musicologist in Best Play nominee 33 Variations.

Raúl Esparza and Martha Plimpton have been nominated three times in three consecutive years: He for this season for the revival of Speed-the-Plow, last season's revival of The Homecoming and the 07 Company revival; and she for Roundabout's revival of Pal Joey, last season's Tom Stoppard's The Coast of Utopia; and Top Girls [2008].

Haydn Gwynne and Carole Shelley are nominated in the Featured cat for Billy Elliot. It's Gwynne's first, and Miss Shelley's fourth [she won '79's Actress, Play for Elephant Man].

B.E. Featured nominee Gregory Jbara seemed to be more excited about his three Billys being nominated and, competing against him, young David Bologna [who plays the Billys' friend Michael]. "The boys are on Cloud 9," beamed Jabara, "and we're on Cloud 9 for them. The [Tony] nominating committee went up another notch in our hearts."

Martha Plimpton, Featured Actress, Musical, nom, said of her singing/dancing role as Gladys Bumps in Pal Joey, "Oh, where do I begin? It was terrifying and exciting - all at the same time."

To most observers, the Tony nominators got their nods for Hair co-stars Will Swenson and Gavin Creel ass backwards. Swenson, who plays Burger and seems to dominate the production, was nominated as Featured Actor, and Creel, who plays Claude, as Actor.

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However, that hasn't affected their "mutual admiration society," says Swenson. Touching him tenderly, Creel [Thoroughly Modern Millie], beams, "Will's my man. He's the only man for me." Swenson responded, "That's fine with me."

Swenson, asked if he'd been threatened with arrest yet for accosting any audience members with various members of his body or for sitting in their laps, replied, "No, but there've been some angry people. They get over it quickly." Quips Creel, "They can't help it. Will's personality is overwhelming."

Zack Grenier, nominated as Featured Actor, Play, for his portrayal of Beethoven in 33 Variations, observes of star Jane Fonda, "She's was such a community spirit. Charming, disarming. She never pulled any rank. She knew that when you're really searching for the truth, you do your best work. It was a challenge to come back to the stage after so many years, and she did it with an incredible amount of bravery."

On developing his character, he explained that since 33 Variations isn't the definitive story of Beethoven, "It wasn't biographical so you didn't have to be point on. [Director and writer] Moises Kaufman gave me free rein. I absorbed all I could and dug deep down where the character and I met. Playing a genius wasn't something I could think about, because I'm not a genius."

Choreographer Randy Skinner, up for a third nomination for his work on White Christmas, explains, "I had a ball working with these wonderful Irving Berlin songs. His music simply makes you want to dance. My goal was to bring that joy to the show. I was able to do ballroom, jazz and tap to achieve styles that were part of the 50's. That's what [director] Walter [Bobbie] wanted from all departments."

CBS closely adheres to the bottom line, so seven categories - Scenic Design, Play and Musical; Costume Design, Play and Musical; Lighting Design, Play and Musical; and Orchestrations - will be presented pre-broadcast and later recapped.

On the Tony web site, with features content from Playbill, you can enjoy video interactive features such as mobile alerts, access acceptance speeches, winners' thoughts on winning a Tony, an archive of nominees and winners from 1947, Tony trivia and a detailed profile of Antoinette Perry, namesake of the Awards.

The Tonys are co-presented by the Broadway League. Tony partners include Visa, Continental Airlines and Sprint.

~~Photos by BARRY GORDIN except Neil Patrick Harris~~


Have You Voted? Nomination Highlights

A complete list of the nominations appears at TonyAwards.com, where you can download a printable ballot.

Play
Dividing the Estate, Horton Foote
God of Carnage, Yasmina Reza
Reasons to Be Pretty, Neil LaBute
33 Variations, Moisés Kaufman


Musical
Billy Elliot
ext to Normal
Rock of Ages
Shrek

Book
Billy Elliot, Lee Hall
Next to Normal, Brian Yorkey
Shrek, David Lindsay-Abaire
[Title of Show], Hunter Bell

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Score
Billy Elliot, Music: Elton John, Lyrics: Lee Hall
Next to Normal : Music: Tom Kitt, Lyrics: Brian Yorkey
9 to 5, Music and Lyrics, Dolly Parton
Shrek, Music: Jeanine Tesori, Lyrics: David Lindsay-Abaire


Revival, Play
Joe Turner's Come and Gone,
Mary Stuart,
The Norman Conquests
Waiting for Godot


Revival, Musica
Guys and Dolls
Hair
Pal Joey
West Side Story

Actor, Play
Jeff Daniels, God of Carnage
Raúl Esparza, Speed-the-Plow
James Gandolfini, God of Carnage
Geoffrey Rush, Exit the King
Thomas Sadoski, Reasons to Be Pretty


Actress, Play
Hope Davis, God of Carnage
Jane Fonda, 33 Variations
Marcia Gay Harden, God of Carnage
Janet McTeer, Mary Stuart
Harriet Walter, Mary Stuart

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Actor, Musical
David Alvarez, Trent Kowalik and Kiril Kulish, Billy Elliot
Gavin Creel, Hair
Brian d'Arcy James, Shrek
Constantine Maroulis, Rock of Ages
J. Robert Spencer, Next to Normal

Actress, Musical
Stockard Channing, Pal Joey
Sutton Foster, Shrek
Allison Janney, 9 to 5
Alice Ripley, Next to Normal
Josefina Scaglione, West Side Story


Featured Actor, Play
John Glover, Waiting for Godot
Zach Grenier, 33 Variations
Stephen Mangan, The Norman Conquests
Paul Ritter, The Norman Conquests
Roger Robinson, Joe Turner's Come and Gone


Featured Actress, Play
Hallie Foote, Dividing the Estate
Jessica Hynes, The Norman Conquests
Marin Ireland, Reasons to Be Pretty
Angela Lansbury, Blithe Spirit
Amanda Root, The Norman Conquests

ashrek.jpg

Featured Actor, Musical
David Bologna, Billy Elliot
Gregory Jbara, Billy Elliot
Marc Kudisch, 9 to 5
Christopher Sieber, Shrek
Will Swenson, Hair

Featured Actress, Musical
Jennifer Damiano, Next to Normal
Haydn Gwynne, Billy Elliot
Karen Olivo, West Side Story
Martha Plimpton, Pal Joey
Carole Shelley, Billy Elliot

Director, Play
Phyllida Lloyd, Mary Stuart
Bartlett Sher, Joe Turner's Come and Gone
Matthew Warchus, God of Carnage
Matthew Warchus, The Norman Conquests

Director, Musical
Stephen Daldry, Billy Elliot
Michael Greif, Next to Normal
Kristin Hanggi, Rock of Ages
Diane Paulus, Hair


Special Tony Awards
Jerry Herman, Lifetime Achievement in the Theater
Signature Theatre, Arlington, VA, Regional Theatre Award
Phyllis Newman, Isabelle Stevenson Award
Shirley Herz, press agent, Excellence in the Theater

Sidebars
The Norman Conquests Cast

Jessica Hynes and Stephen Mangan, nominated in the Featured cats for the hit revival of The Norman Conquests , spoke of the chemistry of working with their cast members, Amelia Bullmore, Ben Miles, Paul Ritter and Amanda Root. ."It just wouldn't have the same effect without such a strong ensemble," says Mangan

The cast won a Drama Desk Outstanding Ensemble Performance Award, which, Mangan notes, "as wonderful as it is for Jessica and I to be Tony-nominated, that's something we're incredibly proud of. We've been together a year, which brings it's own rewards. You get to know your mates well, which deepens the relationship onstage."

NormanCast.jpg

Hynes spoke of the contribution of director Matthew Warchus [who's up against himself since he's also nominated for God of Carnage]. "He had a great influence on how we work together by manipulating our relationships with each other and thereby creating feelings." Laughs Mangan, "You grow to feel something about them, even if it's contempt!"

The big surprise at every performance, he points out, is "never knowing how an audience will respond. At one performance, they look at you with warmth; at another, with disdain. That switches back and forth throughout the trilogy for me. They're constantly falling in and out of love with Norman. Love him, hate him. I love that!"

The trilogy, Mangan explains, needs all the performances to work in sync "or the whole thing falls apart. It's not a question of the star wandering down stage and spouting a soliloquy. Being in the round emphasizes that even more. When you're onstage, up close and personal surrounded by a sea of audience, you need and rely on each other. The show lives and dies on all of us. Now, if I should by some miracle win Best Featured Actor, I won't be mentioning them!"


Diane Paulus, Director, Hair
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Of her Hair revival, director Diane Paulus says her goal was to bring the show very high energy. "I'd never seen it onstage, but had seen the film and, of course, knew the music, so working on the show was a very pure experience. I had an inner dream of what it should feel like. I wanted to represent the 70s in a passionate and truthful way and stay away from a tie-die, urban outfitter, campy show. It was important to get to the heart of it, inside out. I tried to transmit that in every choice I made."

"No one was prepared for the effect the show would have," she says. "Not only on those who know the era but also young audiences. For the finale, 'Let the Sunshine In,' when castmembers invite audience members onstage to dance and sing. We've had people in their 70s and 80s, Vietnam and Gulf War veterans, people on walkers and crutches, a blind person with their seeing eye dog, people in wheelchairs lifted onto the stage. I love that because it's not about exhibitionism but about inclusion and community, about people saying 'I've been moved.'"


Down Tony Awards Memory Lane

Who Was This Tony, Rather Toni, The Namesake of the Tony Tony Awards?

Toni was the nickname of beautiful Denver actress Antoinette Perry, who, after several years playing ingÈnues on Broadway, turned to producing and directing in an era when women in the theater were relegated to acting, costume design, or choreography. The success of the same named home permanent product that was the subject of a huge media blitz caused her to change the i to a y. When she decided to move from acting and become a producer and director, she became a theatrical trailblazer for women.

Well into the 70s, Miss Perry was the only woman director with a track record of hits. Today, she's all but forgotten. In her prime, she showed innovative theatrical instincts and scored an enviable roster of hits - producing and often directing 17 plays in 13 years. In one month in 1937, according to her daughter Margaret, Miss Perry directed and produced three productions, "once rehearsing in our Fifth Avenue living room while peeling peaches for preserves."

Among her impressive hits were Personal Appearance [1934] and Claire Boothe's Kiss the Boys Goodbye [1938], a spoof of the search for Scarlett O'Hara for the film adaptation of Gone with the Wind. The latter had a stellar cast, including Benay Venuta, a perennial star of stage and screen [who died in 1995].

"Tony was rather a theatrical pioneer," said Miss Venuta, "in that she made a huge impact as a producer and director in an era of male theatrical powerbrokers. She was successful and success either earns you envy or respect. In Tony's case, it was both, but I never heard her criticized on the basis of being a woman."


In Memoriam

InMemoriam09.jpg


From the Discussions Archive: The Understudy Gets the Nomination

Larry Kert of West Side Story fame, wasn't nominated for a 1958 Tony for his Tony in WSS. However, he holds the distinction of being the only cast replacement to be Tony-nominated - in 1971 for Best Actor, Musical for his Bobby in the original Company.

He won that honor over opening night star Dean Jones, who a little over two weeks into the show and after recording the cast album, pulled out. It was agreed to state he was ill. Because of a bitter divorce from his wife of 17 years, Dean was depressed and found a show about hard-edged, unromantic relationships too painful.

The Tony Administration Committee ruled not enough nominators caught Jones, whose reviews as Bobby could have established him as a major Bway player after such Disney fare as That Darn Cat! and The Love Bug.

"It was a crowning glory moment," said Kert. "We never understood what the thinking was when Carol [Lawrence] was nominated in the Featured category* for West Side Story and Chita and I were totally overlooked. It was downright puzzling. So, being nominated for Company was sweet, indeed."

[* In another mindboggler, Barbara Cook, MM's co-star, was nominated in the Featured category.]

WSS, put together by a quartet of theatrical genuises [Robbins, Bernstein, Sondheim and Laurents - and produced by Hal Prince], was nominated for six Tonys, including Best Musical [losing to The Music Man]. It won for Choreography and Set Design. In a seemingly purposeful snub, only Meredith Wilson was nominated in the score category. He won!

When Kert opened in Company on the West End, Columbia Records took him into the studio and had him record the Bobby tracks for the cast album; however, listen closely, and you can hear Jones on the duet harmonies. Later, on a remastered reissue, Kert was featured on a bonus track, singing "Being Alive."

Kert died June 5, 1991, three days after the Tony Awards. Amazingly, Kert has never been named to the Theater Hall of Fame.


Do You Know:

1. What now famous composer was rehearsal pianist for the original production of Styne/Sondheim/Laurents Gypsy?
A. Cy Coleman
B. Jerry Herman
C. John Kander
D. Frederick Loewe
E. Charles Strouse

2. Which of these one-word play titles took Best Play Tony Awards?
A. Art
B. Closer
C.Copenhagen
D. Da
E. Equus
F. Seascape

3. Which of these one-word musical titles took Best Musical Tony Awards?
A. Carnival!
B. Fiorello!
C. Gypsy
D. Hair
E. Mame
F. Redhead

4. Which actresses tied for the coveted Tony Award for Best Actress in a Musical in 1968?
A. Barbara Harris, The Apple Tree; and Mary Martin, I Do! I Do!
B. Julie Harris, Skyscraper; and Angela Lansbury, Mame
C. Angela Lansbury, Dear World; and Dorothy Loudon, The Fig Leaves Are Falling
D. Mary Martin, The Sound of Music; and Ethel Merman, Gypsy
E. Patricia Routledge, Darling of the Day; and Leslie Uggams, Hallelujah, Baby!

5. He won a Tony for his performance in Jerome Robbins' Broadway but never won an Emmy for his most famous TV character. Who is he?
A. Jason Alexander (George Costanza, Seinfeld)
B. Simon Cowell (Mean judge, American Idol)
C. John Goodman (Dan Conner, Roseanne)
D. Andy Griffith (Andy Taylor, Andy Griffith Show)

6. In 2003, Vanessa Redgrave in Long Day's Journey Into Night became one of a handful of actresses to have won a Tony, an Emmy and an Oscar. Who else can boast that?
A. Paula Abdul
B. Patty Duke
C. Rita Moreno
D. Rosie O'Donnell
E. Joanne Woodward

7. Who is the only Tony to have hosted the Tony Awards since the first national telecast in 1967?
A. Tony Bennett
B. Tony Curtis
C. Tony Martin
D. Tony Danza
E. Tony Randall

8. Three sets of family members have been Tony-nominated in the same category in the same year. Which duo below is not correct?
A. Tammy Grimes and daughter Amanda Plummer, 1982
B. Rosemary Harris and daughter Jennifer Ehle, 2000
C. Lynn Redgrave and niece Natasha Richardson, 1993
D. Debbie Reynolds and daughter Carrie Fisher, 1973
E.Richard Rodgers and daughter Mary Rodgers, 1960


>[Answers appear below]<


Remembering the Season

You can take home musical treasures of the season. Just released or eminent are the cast CDs of Hair [Ghostlight, SRP $19], with 37 tracks; and West Side Story [MasterworksBroadway, SRP $19], which features the original orchestrations and a 30-piece orchestra. Both have colorfully illustrated booklets. WSS's contains all the Sondheim lyrics.

Recently released: Next to Normal [Ghostlight, two discs; SRP $22]; Shrek [Decca Broadway; SPR $19], in an innovative quad photo layout fold. Surprises include ringtone downloads and character stickers; Liza's at the Palace [Hybrid, two discs; SRP $20]; and The Toxic Avenger[Time-Life; SRP $18], All have illustrated booklets with notes and, except LATP, complete lyrics.

Also available is the short-lived The Story of My Life [PSClassics, SRP $20]. Upcoming July 7 is the cast CD of the season's sleeper hit, Rock of Ages [NewLine; SRP $19].

Lost Treasures from Broadway

Anyone interested in the archives of great performances from the Tony Awards, including the early shows produced by Broadway impresario Alexander Cohen [through 1986] will enjoy excerpts from those telecasts presented on Broadway's Lost Treasures. Acorn Productions has issued a boxed set of Volumes 1-3 [SRP, $60].

Volume 3, for example, is a motherlode of rare Broadway moments: 23 production numbers, including the company of the lavish revival of 42nd Street ["We're In the Money"], Gwen Verdon performing "Whatever Lola Wants" from Damn Yankees with, among others, an eight minute tribute to Ethel Merman, Julie Andrews medley and numbers from Fosse, Funny Thing..., How Now Dow Jones, Into the Woods, Kiss Me Kate, Peter Pan, Ragtimeand WSS.

A bonus DVD has rare excerpts from 18 nominated Best Plays featured on Tony telecasts. Highlighted are Jane Alexander, Philip Bosco, Art Carney, Charles Dutton, Morgan Freeman, Victor Garber, James Earl Jones, Linda Lavin, John Lithgow, Brian Stokes Mitchell, Gary Sinise and Maggie Smith.


Sing for Tony Tickets at Macy's

You want free Tony Awards tickets? Macy's got 'em. You just have to sing for them this evening. If you're a golden-voiced Broadway baby or think you could be a contender for Broadway Idol, show up at the Herald Square store as early as possible for the first 25 on line get a chance to win two tickets and a load of other prizes.

Beginning at 5 P.M., in the Main Floor Fragrance Arcade, contenders will be asked to step up to the mic and Sing For Your Tony Tickets, selecting a tune from a list of 25 favorites. Judges are Tony-winner Priscilla Lopez [ACL] and Tony-nominee Olga Merediz, both from 2008's Best Musical, ITHs, and Laura Osnes and Tony nom Danny Burstein, stars of the 2008 Best Musical Revival, SP.

The judges' pick will compete with other Macy's semi-finalists for Tony tickets, a NYC weekend, $1,000 Macy's card and the opt to join Seth Rudetsky of Sirius/XM's On Broadway channel.

You don't have to sing to win other prizes, just spend. Any $150 Macy purchase during the event nets a pair of tickets to ITH or SP.


_______________________________________


[Answers: 1. C; 2. A,C,D and E; 3. B and F ; 4. E; 5. A; 6. C; 7. E; 8. C and E.]

About this Archive

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