October 2006 Archives

Since his 2006 Drama Desk win for Outstanding Featured Actor, Musical, and his 2006 Tony nomination as Best Featured Actor, Musical, for his lively English music hall antics in the revival of The Threepenny Opera, Jim Dale is the actor about town. You look here, there he is; you look there, and there he is.

October 16 found him hosting the Theatre Museum's 2006 Awards for Excellence at the historic Hudson Theatre where, among other honors, the Manhattan Theatre Club received recognition for its outstanding restoration of the Biltmore Theatre.

Before and after that, Dale, the man of hundreds of voices on the J.K. Rowling's Harry Potter audio book series [a feat which won him a Grammy Award], was recording an audio book of Peter Pan, just been released [Random House] to rave reviews.

This Monday will find Dale at the Friar's Club, where he will be honored by his fellow Friars. Celebrating his life in theater in a musical program will be Anna Bergman, Len Cariou, Jason Danieley, Tovah Feldshuh, Dee Hoty, George S. Irving, Bebe Neuwirth, Lee Roy Reams, Lillias White and Karen Ziemba.

MC will be Friars Dean Freddie Roman. Music director is Dennis Buck. Friar Randie Levine Miller is producing.

"This should be a ball," says Dale. "To be celebrated and not roasted in the great tradition of the Friars. I'm honored that so many friends I've worked with over the years are coming together to say a big musical hello. Who could ask for anything more?"

The modest, easy-going Dale has also been "knighted" by Queen Elizabeth II as a Member of the Order of the British Empire [MBE]. The British native is well-remembered over there for his roles in the Carry OnÖ movie series as well as his numerous stage roles - the latest of which was Fagin in Cameron Mackintosh's lavish London revival of Oliver!

He was a member of the National Theatre and the Young Vic, in addition to being one of the first recording artists produced by Sir George Martin of Beatles fame.

The next big Dale event for this Tony and Drama Desk winner [and multiple nominee] and Academy Award nominee [for Best Song, Georgy Girl] will be starring in the Drama Desk-winning York Theatre Company's one-night only benefit and New York premiere of Busker Alley on November 13 at 8 P.M. at Hunter College's the Kaye Playhouse [East 68th Street, between Park and Lexington Avenues].

His co-star will be none other than Tony and DD winner Glenn Close, who starred opposite Dale in Barnum [for which she received a Tony nom]. Her character is Dame Libby.

Also appearing will be Jessica GrovÈ , Simon Jones, Noah Racey, Greg Mills, Krista Rodriguez, Michael Lane Trautman, Jeff Williams and with a special appearance by Anne Rogers, a West End veteran of The Boy Friend and My Fair Lady as Eliza and who played on Broadway in Half A Sixpence, Walking Happy and the original 42nd Street .

With music and lyrics by Richard and Robert Sherman [Mary Poppins, Chitty Chitty Bang Bang] and a book by A J Carothers, Busker Alley is the 1995 musical that was long in development and which was aborted in its pre-Broadway run when, during a performance in Tampa, leading man Tommy Tune broke his foot.

The show had played 16 cities to mixed reviews. The accident happened six weeks prior to its scheduled opening at the St. James.

Acclaimed theater/film designer and director Tony Walton is directing the November 13th performance and York fundraiser. Lisa Shriver is choreographer with Aaron Gandy as music director.

Busker Alley not only reunites Dale and Close but also Close and Walton, who worked together on Tom Stoppard's 1984 The Real Thing.

"Busker Alley is right up my alley," says Dale, who is a longtime student of the English music hall traditions. "It's about a guy who entertains in public on the streets of London."

As busker Charlie Baxter, he falls for a much younger woman [GrovÈ] who yearns to star in theater and leaves to follow her dreams. The show is based on the 1938 British film St. Martin's Lane [a.k.a. The Sidewalks of London].

The film starred Charles Laughton and Vivien Leigh in her last role over there before beginning production on Gone with the Wind.

"I never saw Busker Alley when Tommy toured with it," notes Dale. "When I first heard the title years ago, I said, ëThat's for me!' But I need not have worried. Tommy decided not only to direct it* but to also star. Wrong! From everything I heard, it didn't work for various reasons. Tony feels all those reasons have been eliminated for this production.

[* That was the original plan, but in the end Jeff Calhoun directed.]

"It will work this time for one reason," Dale continues. "It has utter sincerity. George [Irving], Simon [Jones] and myself work so well together. It's just been incredible. And, flying over from England to appear as one of the leading buskers is the great Anne Rogers. Add to that the delicious, delovely Jessica GrovÈ."

But, says Dale, "the topping on the desert" is having "Glenn, my wonderful, darling leading lady from Barnum. We are so blessed that we have a great cast in a great story with great music and a great director. Who could ask for anything more?"

Dale says Walton is "working me to the bone. For some reason, he seems to think I can do everything!"

Maybe that's because Dale is so well regarded because of his agile ability to do almost anything.

In Busker Alley, "if Tony has his way, you can expect to see me play a ukulele, work a ventriloquist's dummy, perform choreography, not to mention singing eleven songs. I may break my foot!"

Unlike the Friar's event, this one is open to the public - but at a price. Tickets are $100-$250 and available at the Kaye Playhouse box office or by calling (212) 772-4448.

For special donor seating - prime orchestra seating for donations of $500 and $1,000, which include a post-show reception with the cast and creative team, limited edition posters and a program listing. call the York Theatre at (212) 935-5820.

For more information, visit http://kayeplayhouse.hunter.cuny.edu/ or www.yorktheatre.org


Musicals Monday Night

Monday, October 30, the Theatre Lab of Musical Mondays will present a first look at two short musicals in development in the 2006 Tony Award-winning BMI -Lehman Engel Musical Theatre Workshop.

The double bill consists of Easy City by Fred Thaler and Craig Fols [the Leading Man, Musical of Musicals], which is based on Katrina survivor interviews; and Top of the World by Aron Accurso and Steve Routman, described as a microscopic look at two New Yorkers whose lives are about to change.

The duo bill starts at 6:15 P.M. at the McGinn/Cazale Theatre [Broadway and 76th Street, above the Promenade Theatre].

MM's producing director Frank Evans notes that both musicals feature full casts "and examine the ever-changing fiber of the American experience."

Admission $10. For reservations, call (212) 989-6706 or contact [email protected].


Silver Anniversary

On Thursday, November 2, at 10:15 A.M. at the Cadillac Winter Garden Theatre, the casts of Hairspray, The Lion King, Wicked, Mamma Mia and other shows will perform excerpts from their productions in a free event celebrating the 25th Anniversary of the service organization Inside Broadway.

There will also be highlights from IB's upcoming 50th anniversary production of Rodgers & Hammerstein's Cinderella, a special 50-minute version of which plays area schools next month. The tour will culminate in early February performances at Florence Gould Hall.

Special guests at this free performance will be Shubert Org chairman Gerald Schoenfeld, and Manhattan Borough President Scott Stringer. In addition, 1,000 balloons will released from the Cadillac Winter Garden ceiling.

Though the November 2nd presentation is essentially for school groups, there'll be limited general public seating. Doors open 9:45 A.M.. Seating is on a, first-come, first-served basis.

Inside Broadway [www.insidebroadway.org] serves New York City children with innovative theater programs and services. It was founded by executive director Michael Presser at the encouragement of Bernard Jacobs, the late president of the Shubert Organization.

Each season, over 85 performances featuring Equity actors are presented for students as well as weekend performances for families at Florence Gould. All shows include study guides and teacher lesson plans.

With Mr. Jacobs' assistance, IB was the first to create a student ticket program, study guides to Broadway shows and talk backs with cast members. It also produced the first educational video for schools showing behind-the-scenes operations of Broadway shows. Presser developed the concept of 50-minute versions of musicals to introduce young people to musical theater.

Educational programs have included The Shakespeare Connection, which feature the education department of the Royal Shakespeare Company; and the Creating the Magic series, seminars held in Broadway theatres demonstrating the production elements of shows. In addition, IB operates an extensive teaching artist residency program in over 75 city schools.

For more information on the outreach programs of Inside Broadway, visit www.insidebroadway.org.


A Li'l Bit Country, A Li'l Bit Cabaret

Cabaret legend, Broadway, film and record producer and recording artist/actress Jamie deRoy, winner of eight cabaret MAC Awards and four Back Stage Bistro Awards [among numerous others] will present a very special attraction in her Jamie deRoy & Friends series: Country Meets BroadwayÖand 95th.

Guest star is best-selling recording artist and Grammy Award winner Larry Gatlin [The Will Rogers Follies]. The show is Saturday, November 4, at 8:30 P.M. in the Leonard Nimoy Thalia Theatre at Peter Norton Symphony Space [2537 Broadway at 95th Street].

Also appearing will be Erich Bergen [White Christmas, L.A. company], Kathy Brier [Hairspray; TVs One Life to Live], Leslie Kritzer [Drama Desk nominee for The Great American Trailer Park Musical; Hairspray; Bat Boy;] and Deven May [Bat Boy], Directing is Barry Kleinbort. Brian Nash is music director.

Tickets are $45, which includes the post-show reception, and $30. All seats are general admission. For reservations, call (212) 864-5400 or visit on-line at symphonyspace.org.


Busy Mondays, Not So Blue Anymore

Monday, which has always been the almost virtually dark night in theater, has become the new Saturday. An amazing number of events, benefits and staged readings now crowd the Monday schedule. Monday, November 6, is a typically busy one.


Great Lady Of Theater Receives Another Honor

Julie Harris, one of theater, film and television's most loved leading ladies and a multiple Tony and DD winner, will be honored at Primary Stages' 22nd Anniversary gala at Tavern on the Green on November 6 at 6:30 P.M.

For more than half a century, Ms. Harris, 81, has been recognized for her extraordinary work in plays and musicals.

"The stage was where I wanted to be," states Ms. Harris. "I loved it all. It became this great source of nourishment and spiritual nourishment. I wanted to touch people with the meaning of life. What is thrilling about the theater is that it's a forum where for two hours or more people belong to something, to ideas, to a feeling of being a member of the human race."

Ms. Harris is the most-honored performer in Tony Award history with ten nominations and five victories. She won as Best Actress for I Am a Camera [(1952], The Lark [1956], Forty Carats [1969], The Last of Mrs. Lincoln [1973] and The Belle of Amherst [1977]. Her five additional nominations were for Marathon '33 [(1964], The Au Pair Man [1974], Skyscraper [1966], Lucifer's Child [(1991] and The Gin Game [1997].

Of course, there have been tons of movies and TV roles for Ms. Harris, most prominently her acclaimed portrayals of Frankie in The Member of the Wedding and Abra in the Kazan/ Steinbeck classic East of Eden opposite James Dean; and her equally-praised Catherine Sloper in the TV production of The Heiress. You also can't dismiss the role that made her a household name not only in the U.S. but around the world, that of Lilimae Clements in the long-running series Knots Landing.

PS's a. d. Andrew Leynse said, "Each year, we attempt to honor an artist who has made significant contributions to the American theater, especially in the area of development of new plays. The legendary Julie Harris is at the top of anyone's lists in that category and most deserving of this honor."

The benefit will include testimonials from agent Samuel "Biff" Liff, Anne Jackson and Eli Wallach, Marian Seldes and Elizabeth Wilson plus clips from Miss Harris' film work. There'll also be a scene from The Member of the Wedding performed by the legendary Ruby Dee, Marin Ireland and Gregg Edelman.

Past honorees have included Susan Stroman, Horton Foote, Harvey Fierstein, A.R. Gurney, John Guare, Betty Comden and Adolph Green, Stephen Sondheim, Wendy Wasserstein and Terrence McNally. Casey Childs is PS' executive producer.

Tickets and VIP tables are available for $300 - $10,000. The dinner will include cocktails and a silent auction. For additional information or to purchase tables or tickets, call PS board chair Sue Breger at (212) 840-9705.


Headliners For Only Make Believe

Donny Osmond, who has triumphantly returned to Broadway in Beauty and the Beast; Euan Morton; Liz McCartney [Mama Mia, Taboo], Merle Dandridge [Tarzan's Kala], the amazingly versatile Christine Pedi [of Forbidden Broadway fame] will be on hand for the Sixth Annual Only Make Believe benefit on November 6 at 7:30 P.M. at the historic Hudson Theatre [145 West 44th Street].

The indefatigable Kathie Lee Gifford hosts. Bon Jovi's David Bryan and famed acrobats Ken Berkeley and Matthew Cusick, better known as KENiMATTix, will also perform.

Joe DiPietro, who did the book for All Shook Up and created the long-running smash revue I Love You, You're Perfect, Now Change, will direct. Jason Debord is music director.

Jeremy Gilley, founder of the non-profit peace organization Peace One Day, will receive the 2006 James Hammerstein Award in recognition of his dedication to children in need. Only Make Believe's mission is to bring the magic of theater to disadvantaged children living with chronic illnesses and disabilities.

OMB is dedicated to the principle that freeing a child's creative spirit is a valuable part of the healing process. With a professional troupe of multi-racial, multi-ethnic actors, the org engages children in performance.

The org debuted in 1999 at NYU Hospital Center's Rusk Institute of Rehabilitation Medicine Pediatric Unit as a project of the James and Dena Hammerstein Foundation, established in memory of her husband, Oscar Hammerstein's son, James.

The workshops, where actors interact with young patients, have been performed in 23 city facilities. Actors arrive armed with a trunk of costumes, props and backdrops. They encourage the participation of the children by using scripts and through improvisation. The trunk is left behind as a gift to encourage play.

Tickets for the star-studded benefit range from $25 - $300. To purchase, call (646) 336-1500 or go online to www.onlymakebelieve.org.


Tony Winner Directs

Long established as a Monday night entertainment staple, Jim Caruso's Cast Party at Birdland [315 West 44th Street] features something a bit different on November 6. Tony and Drama Desk winner Victoria Clark [The Light in the Piazza] will direct Strings Attached, featuring cellist Peter Sachon, Broadway-bound in Tom Kitt and Amanda Green's musical High Fidelity. He performed in and can be heard on the cast CDs of Light and Fiddler on the Roof. Showtime is 7 P.M.

Special guests are Kelli O'Hara and Michael Winther. In addition, Clark will perform.

There's a $25 cover and $10 food/drink minimum. For reservations, call (212) 581-3080 or got to www.InstantSeats.com/Birdland. For information on Caruso's popular series, visit www.castpartynyc.com.

Actor/singer/songwriter Jeff Daniels [Infamous, Good Night and Good Luck, Terms of Endearment] returns to Birdland and Cast Party on November 13. Proceeds benefit the Purple Rose Theatre in Daniel's hometown of Chelsea, Michigan. Book early!


Good News: He's Back [Soon]

Award-winning Jack O'Brien [Hairspray, Dirty Rotten Scoundrels, Henry IV] brings the news that Richard Easton, a co-star in the massive cast of Voyage, the first part of Lincoln Center Theatre's nine-hour production of Tom Stoppard's The Coast of Utopia trilogy, is now home from hospital and on his way to a full recovery.

Theater veteran Easton became an overnight sensation on winning the 2001 Tony and Drama Desk Awards for Best/Outstanding Actor for his portrayal of the older A.E. Houseman in O'Brien's production of Stoppard's The Invention of Love. He has been active on the New York stage since the 50s.

O'Brien, who's also directing TCOU, has delayed the opening of Voyage at the Vivian Beaumont from November 5 to the 27th to await Easton's return.

Easton, who plays Russian landowner Alexander Bakunin, became ill during the production's second preview last week and was rushed to the hospital. He's scheduled to return to the production within two weeks. The role is currently played by his understudy, David Manis.


A Great Loss


Beloved philanthropist Edyth Kenner died this week. The gracious Ms. Kenner was diminutive in size but a giant when it came to contributing sponsor money for numerous events in the city that didn't attract the corporate world. These included the successful Broadway by the Year and Broadway Unplugged series, hosted by Scott Siegel at Town Hall and the now annual Broadway Cabaret Festival. A memorial program celebrating her life is in the planning.


Last Chance

Francesco Scavullo: A Photographic Retrospective on view at The Gallery at New World Stages [340 West 50th Street, formerly Dodger Stages] is a must-see. It closes November 2nd.

NWS also features the TONY [Time Out New York] Lounge, which is open nightly for cocktails and theatrically-themed drinks.

Broadway theatre portraitist Robert Miles Parker's exhibit of renderings of Broadway's historic theatres is up through November 26 at the Museum of the City of New York [Fifth Avenue and 103rd Street].

The Museum's theater collection, established in 1750 and now the largest in the world, presents rotating exhibitions of its massive inventory of costumes, props, photos, posters, set models, sketches and sheet music.


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The season is off and running with three showstopping performances currently onstage: the sparks fly and attention is paid as Mark Saturno delivers a tour-de-force as Jimmy Caesar in the revival of St. John Ervine's John Ferguson.

The Australian actor has toiled Off Broadway, Off Off and regionally, but this role is his most out-there one on the New York stage. He appeared in LCT's Ancestral Voices and covered for Ben Chaplin in The Retreat from Moscow; in addition to receiving raves for his I Am My Own Wife and The Tempest [opposite Brian Murray] at Pittsburgh Public.

As Jimmy Caesar, Saturno gives a riveting bravura performance, awash with amazing physicality and commanding stage presence.

The play is a critically-acclaimed 1919 Irish family drama presented by the Drama Desk and Obie Award-winning Mint Theater [311 West 43rd Street, third floor]. The final performance is October 29th. For tickets, call (212) 315-0231 or reserve online at www.minttheater.org

Jason Tam stands out from the auditioning hopefuls in the revival of A Chorus Line, delivering an emotional wallop as Paul. It's early in the season, but his performance is certainly worthy of award consideration. Tam previously appeared on tour and Broadway in Les Miz [Gavroche].

While on the subject of ACL, the revival cast CD of the Pulitzer Prize and Tony Award-winning musical is just in stores from Sony/BMG Masterworks Broadway. It was recorded during the pre-Broadway run in San Francisco; produced by Grammy-winner David Caddick [POTO].

Ed Harris, in his first New York stage appearance in ten years, stands and delivers in the Public's American premiere of Neil Labute's controversial Wrecks - considering the plot similarities, an allusion to Oedipus Rex.

As chain smoking Edward Carr, whose family business is automobiles and who's quite casually relaxed at his wife's wake, Harris is riveting even before he reveals the deep, dark secret that leaves about half the audience gasping [and then, as they exit and explain the bombshell to the other half, they gasp all the way to the street].

"It's great to be back in front of a live audience," Harris told me. "Frankly, I've been so busy with movies and family that I hadn't realized it's been ten years since I was onstage [Ronald Harwood's Taking Sides]."

Recent films were the HBO miniseries Empire Falls, for which he received an Emmy nomination, A History of Violence and his Oscar nominated performances in The Hours and Pollock.

The Public has extended Wrecks, also directed by LaBute, in its Anspacher Theater through November 19. Tickets are $50 - $60 at the Public box office [425 Lafayette Street], calling (212) 967-7555 or on-line at http://www.publictheater.org/. A limited number of $20 Rush Tix [two per person] go onsale an hour before curtain.

Before Wrecks closes, Harris will be hitting the art house circuit flamboyantly playing the title role in director Agnieska Holland's Copying Beethoven, their third collaboration, for which he not only gained 25 lbs. and wore a wig for the larger-than-life role but also took an extensive course in conducting. Harris prepared for the role for over a year, relearning to play the piano for the first time since childhood and learning to play the violin.

He joked that the 55-member symphony and 60-member chorus "had some initial trepidation about my conducting Beethoven's intricate Ninth Symphony, which has flummoxed conductors with years of experience, but they soon realized I had some idea of what I was doing."

There were numerous takes, which made the job all the more daunting but, adds Harris, "the more takes we did, the freer I felt and the more enjoyable it became. At one point, Agnieszka yelled ëCut' but we were doing so well, we couldn't get ourselves to stop. I kept conducting and they kept playing all the way to the end. Then everyone broke out in applause. It was a very gratifying moment."


CLOTHES OFF

Off Broadway, there's another kind of showstopping performance that filled the seats of Theater Row's Lion Theatre [410 West 42nd Street] to such overflowing capacity that the run has been extended into mid-November.

Emerging film actor Brandon Ruckdashel raises the temperature to red hot in Red Light District's production of Edmund De Santis' Ascension by spending a third of the 90-minute running time naked and seducing Stephen Hope, playing a priest struggling to avoid falling into the arms of temptation until the devil makes him do it.

Usually when a play promotes itself with the come-on of "full frontal nudity," it's ticket buyer beware; but as convoluted as the plot is, this hunk acquits himself quite nicely, in and out of his clothes, to the degree that he enamored the Times' Anita Gates into writing a rave.

Red Light's Marc Geller is director. Tickets are $55 and available at the box office and through Ticket Central, (212) 279-4200, or online at www.ticketcentral.com.


LIFE IS A CABARET, OLD CHUM

Tony, Drama Desk, Emmy, Nightlife and MAC Award winners galore - some of them among the most respected singers in the business - dominate this weekend's 2nd Annual Broadway Cabaret Festival, Friday through Sunday, at Town Hall.

Friday's opening night, 8 P.M. curtain, features 16 artists celebrating Jerome Kern's musical legacy in Music Is In the Air. They include Nancy Anderson, Michel Bell, Stephen Bogardus, Ron Bohmer, Joyce Chittick, Cady Huffman, Deven May, Carolyn Montgomery, Julie Murney, Jack Noseworthy, Noah Racey, Lari White and Michael Winther. Musical director is Scott Cady. Mindy Cooper is choreographer/director.

Among the highlights: Bell [Show Boat] singing "Ole Man River" off-mike as well as several dance production numbers.

Saturday at 8 P.M., Emily Skinner and Alice Ripley, the Tony-nominated stars of Side Show, are the hot, hot tickets as they reunite to blend their soaring voices in perfect harmony for an all-Broadway concert. Ross Patterson is music director. Dennis Jones directs.

For the final Broadway Cabaret Fest entry, Sunday at 3 P.M., 20 stars return to perform the songs they made famous in 50 years of main stem musicals. They include Liz Callaway, Catherine Cox, Nancy Dussault, Beth Fowler, Helen Gallager, Joanna Gleason, Debbie Gravitte, Cheyenne Jackson, Nancy Lemenager, Christiane Noll, Mary Testa and Chip Zien. Dan Foster directs.

Scott Siegel [Broadway by the Year, Broadway Unplugged] is writing and hosting the three-day series, made possible in part by a grant from the Booth Ferris Foundation and Edythe Kenner. Larry Zucker is executive producer.

Limited tickets are still available for all shows, priced $45 and $50 each, at the Town Hall box office, through TicketMaster, (212) 307-4100 or online at TicketMaster.com. For more information, visit www.the-townhall-nyc.org.


HELPING DANCERS AFTER THEIR FINAL CURTAIN

Rolex is once again the generous lead sponsor of Career Transition For Dancers annual gala, one of the season's most worthy benefits. Monday at 7 P.M. at New York City Center [131 West 55 Street], stars from a wide spectrum of show business turn up to help their peers. Because of this, the benefit has established a reputation for being one of the premiere entertainment-dance events of the year.

The 2006 theme is One World: A Spectacular Global Celebration. The evening will showcase the diverse cultures of movement - highlighting ethnic, ballet and modern dance.

This year's honoree is two-time Tony Award winner [with six nominations] and Broadway Living Legend Chita Rivera.

She will be the recipient of the Rolex Dance Award with a citation stating that she "is our strongest link to the Golden Age of the American Musical."

A CTFD Award will be presented to the Rudolf Nureyev Dance Foundation for outstanding contributions to the world of dance.

And, get this, you don't have to drive a Ferrari to attend. To accommodate Rivera's legend of fans, Rolex and other sponsors are underwriting the majority of upper level seating, which is available at the box office only at a 50% discount.

The performance and black-tie dinner dance will celebrate the organization's 21st anniversary of assisting professional dancers identify their unique talents in preparation for establishing new careers when dance is no longer an option.

Monday's spectacular line-up includes appearances by Mercedes Ellington, Sutton Foster, James Earl Jones, Liza Minnelli, Bebe Neuwrith and Rosie O'Donnell.

There will be performances by Billy Porter; Noah Racey, Pilar Rioja; and from a huge roster of dance talent and companies: the American Ballet Theatre, Ballet de Monterrey, Dance China NY, Donny Golden Irish Dance, Sachiyo Ito, the Joffrey Ballet, the National Dance Institute of New Mexico, the San Francisco Ballet, Sounds of Korea, the Thunderbird American Indian Dancers, Mr. Wiggles and Rosie's Broadway Kids [as in Rosie O'D].

As has become tradition, audiences will be treated to several world premieres.

CTFDs' One World: A Spectacular Global Celebration is produced and directed by Ann Marie DeAngelo and written by Deborah Grace Winer.

Event honorary chairs are some of the premiere names in the world of dance, past and present: Carmen de Lavallade, Cynthia Gregory, Judith Jamison, Donna McKechnie, Jane Powell and Ann Reinking.

The 21st anniversary chairs are Patricia J. Kennedy and Anka K. Palitz. Premium seating is $75 - $125 and can be purchased at the City Center box office and by calling CityTix (212) 581-1212 or online at www.nycitycenter.org.

Gala tickets are $600 and $1,000, and include the post-performance supper dance and auction at the Hilton New York. Contact Marjorie Horne, (212) 228-7446 X. 33.

Alexander J. Dube is CTFD executive director. For information on the outstanding work of Career Transition For Dancers, visit http://www.careertransition.org/


A RARE OPPORTUNITY

Don't miss the rare visit to these shores of the Gate Theatre of Dublin. Through Saturday, they're performing their internationally-acclaimed production of Beckett's Waiting for Godot at the NYY Skirball Center for the Performing Arts [566 LaGuardia Place, at Washington Square South].

Tickets are $45-$65 and available through Ticket Central, (212) 279-4200.

MINT BENEFIT READING

In 1999, the award-winning Mint Theater Company enjoyed such great success with its revival of Harley Granville-Barker's The Voysey Inheritance that it was remounted for a sold-out 2000 engagement.

This Monday at 7:30 P.M. original cast members, including George Morfogen [OZ] as Mr. Voysey, will reunite for a one-night only reading.

Tickets are $25. You can join the company for a pre-show dinner and discussion for $85. Call (212) 315-0231 for reservations or more information.


A GREY GARDENS COINCIDENCE

Turner Broadcasting's TCM cable network will premiere David and Albert Maysles' acclaimed documentary Grey Gardens on October 29 to coincide with the Broadway debut on November 2 of Grey Gardens, the musical by Doug Wright [book], Scott Frankel and Michael Korie.

The stage musical is directed by Tony and DD-nominee Michael Greif [Rent], with musical staging by Jeff Calhoun.

The cast album from Playwrights production has just been released on PS Classics.

The award-winning 1975 documentary will include new commentary from the show's stars, Tony Award-winner Christine Ebersole, who won a 2006 Drama Desk Award for her role of "Little" Edie Beale in Playwrights Horizons' premiere production; and Tony and DD-nominee Mary Louise Wilson, who plays the mother, Edith Bouvier Beale, the eccentric and once prominent kin of Jacqueline Kennedy Onassis.

TCM movie host, author and film historian Robert Osborne will interview Ebersole and Wilson prior to and concluding the film.

For more information, visit tcm.com.


FILM BUZZZZZ

One of the favorites from the 2005 Hamptons InternationalFilm Festival has made it onto Manhattan screens, Sweet Land, the coming-to-America story of a German war bride to a Norwegian farmer in 1920s Minnesota. It's the debut feature film from writer/director Ali Selim, a Minneapolis native of Egyptian descent who looks like a young Troy Donahue.

The film is stunningly shot by the brilliant David Tumblety. But that's not the only stunning thing about it.

Starring with Ned Beatty, Alan Cumming, John Heard, Alex Kingston [Croupier, The Cook, the Thief, His Wife and Her Lover, TV's ER], Paul Sand, and Lois Smith, is Elizabeth Reaser. As the young Inge from Germany, she never hits a false note as she comes to grip with life in America and the obstacles placed in the way of her marriage to Olaf, beautifully played by handsome, hunk Tim Guinee [husband of Daisy Foote].

Reaser will soon be seen as Froggy in the film adaptation of Adam Rapp's blisteringly Off Broadway hit Blackbird [a role she also played in the London Fringe production] opposite Paul Sparks, the star of the play here two season ago.

HALLOWEEN PARTY

ëTis the season to scream! And this weekend and next [through October 29] is the last chance to holler your lungs out into Halloween at Six Flags Great Adventures' Fright Fest, the tri-state area's largest Halloween party. There are tons of ways to raise some cain, including the nightly Parade of the Walking Dead and those two new monster roller coasters, Kingda Ka and El Torro. Daytimes, there's the drive-through animal safari, one of the best in the U.S. It's a 90-minute drive away [70 miles SW, through the Lincoln Tunnel]. For directions, pricing and information, visit http://www.sixflags.com/.

[Photo credits: 1) RICHARD TERMINE; 2) PAUL KOLNICK; 3) MICHAL DANIEL; 5) MARC GELLER; 6 and 7) JOAN MARCUS; 8) GIDEON LEWIN/Lifestyles Magazine]
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